Bandbox
A Novel
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- ¥850
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- ¥850
発行者による作品情報
From the author of Henry and Clara, a dazzling, hilarious novel that captures the heart and soul of New York in the Jazz Age.
Bandbox is a hugely successful magazine, a glamorous monthly cocktail of 1920s obsessions from the stock market to radio to gangland murder. Edited by the bombastic Jehoshaphat “Joe” Harris, the magazine has a masthead that includes, among many others, a grisly, alliterative crime writer; a shy but murderously determined copyboy; and a burned-out vaudeville correspondent who’s lovesick for his loyal, dewy assistant.
As the novel opens, the defection of Harris’s most ambitious protégé has plunged Bandbox into a death struggle with a new competitor on the newsstand. But there’s more to come: a sabotaged fiction contest, the NYPD vice squad, a subscriber’s kidnapping, and a film-actress cover subject who makes the heroines of Fosse’s Chicago look like the girls next door. While Harris and his magazine careen from comic crisis to make-or-break calamity, the novel races from skyscraper to speakeasy, hops a luxury train to Hollywood, and crashes a buttoned-down dinner with Calvin Coolidge.
Thomas Mallon has given us a madcap and poignant book that brilliantly portrays the gaudiest American decade of them all.
PUBLISHERS WEEKLY
A new, gleeful exuberance infuses Mallon's latest novel, in which he turns his talent for fastidious historical detail (Dewey Defeats Truman, etc.) to the elaboration of a comedy of errors set in Manhattan during the 1920s. Bandbox is the name of a successful monthly magazine for men, the first and best of its kind until the recent defection of its star editor, Jimmy Gordon, to establish the rival Cutaway. The narrative centers on the cutthroat competition between the two magazines, a suspenseful battle in which two Bandbox editors secretly defect to the other magazine, providing inside information that allows Jimmy to scoop his old boss and win the ratings game. The narrative is a tad slow getting started, since Mallon must introduce each name on the masthead and succinctly describe their various duties. All his characters are colorful and fully dimensional, however, especially Bandbox's aging editor-in-chief, Jehoshaphat (variously Joe, or Phat) Harris, who seems closely modeled on the legendary Harold Ross of the New Yorker. In addition to the magazine staff, there's a Hollywood star chosen to be the subject of a cover story. She's a foul-mouthed nymphomaniac called Rosemary La Roche, who trails chaos in her wake. Mallon adroitly establishes the atmosphere of the Jazz Age, dropping such names as Al Jolson, Leopold and Loeb, President Coolidge, George M. Cohan and the crime boss Arnold Rothstein. The latter is a pivotal character, because when his goons kidnap a kid from Indiana who has come to New York because he idolizes Bandbox, the plot acquires the elements of a thriller. Prohibition, police corruption, a court trial, in-house intrigue, the narcotics trade, animal rights, two gentle romances and several surprise revelations propel the plot, not to mention one of the best features Mallon's ability to convey the deadline-obsessed mentality of a monthly magazine. Mallon has never before employed his wit and humor to such good effect; he writes with comic brio, indulging in clever repartee and nimble farce. To quote the closing sentence: "What do we do for an encore?"
