Black Ajax
-
- ¥640
Publisher Description
In the spirit of Flashman and in the inimitable George MacDonald Fraser style comes a rousing story of prize fighting in the 19th century.
When Captain Buck Flashman sees the black boxer catch a fly in mid-flight he realizes that he is in the presence of speed such as the prize ring has never seen. Tom Molineaux may be crude and untutored, but if ‘Mad Buck’ knows anything, this ex-slave is a Champion in the making. Under his ambitious patronage, the ‘Black Ajax’ is carried on a popular tide of sporting fever to his great dream: to fight the invincible, undefeated Champion of England, the great Tom Cribb.
Told through funny, colourful voices, this novel paints a portrait of a flawed hero who surmounted the barriers of ignorance, poverty and racial hatred to bring the prize ring a lustre it had never known before, and may never again.
Reviews
‘Mr Fraser is a great historical novelist and in Black Ajax he is at the very top of his form. Damme if he ain’t.’
Christopher Matthew, Daily Mail
‘This is not a flashy novel, wearing its learning noisily. It’s rigourous, intelligent, meticulously horrifying. Wonderfully well done.’
Nicci Gerrard, Observer
About the author
The author of the famous Flashman Papers and the Private McAuslan stories, George MacDonald Fraser has worked on newspapers in Britain and Canada. In addition to his novels he has also written numerous films, most notably The Three Musketeers, The Four Musketeers, and the James Bond film, Octopussy. George Macdonald Fraser died in January 2008 at the age of 82.
PUBLISHERS WEEKLY
Taking a break from his delightful series about the Victorian scoundrel Harry Flashman, Fraser gives us a superb novel about Tom Molineaux, a freed slave from Virginia who was a boxing sensation in the early days of the sport in Regency England. Fraser's encyclopedic knowledge of 19th-century British mores and slang and his splendid eye for period color have never been put to better use. He tells the story of Molineaux through a series of narrators: Molineaux's trainer and second; contemporary boxing journalists; Flashman's rakish father, who takes up Tom's cause for a time; his childhood sweetheart; a lascivious footman; and others. All of them are characterized with a perfect ear for their particular diction--and, for those taken aback by the authentic vernacular, there is a useful glossary. The portrait of Molineaux--vain, strutting, childlike, at once hugely courageous and profoundly vulnerable--is memorable. Has there ever been a more vivid picture of the thrills and horrors of the early bare-knuckle boxing days, when the sport was at once illegal and a national obsession? For anyone interested in the period, in the place of a black man in a highly stratified society and in a compelling story of courage and ultimate sorrow, this is the book.
