Bone Island Mambo
An Alex Rutledge Mystery
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- ¥1,500
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- ¥1,500
発行者による作品情報
A pleasant Key West Sunday in January turns into a tropical nightmare.
It's early. The tourists are still asleep. Freelance and part-time crime photographer Alex Rutledge bicycles near-vacant streets, taking pictures for his own enjoyment. But he's challenged at a restoration district construction site, accused by a developer of snapping photos for an expose.
An hour later, the city police request Rutledge's forensic photo expertise. A murder victim has been found - at the same work site. Detective Dexter Hayes, Jr., is caustic and inept, and Rutledge is dismissed before he completes his work. An hour later, the county sheriff, Chicken Neck Liska, asks Alex to photograph another murder victim, this time on nearby Stock Island.
Rutledge soon suspects that the murders are linked - illogically, through him. He can't divulge the link to his lover, Teresa Barga, for fear of compromising her police media liaison job. Alex questions the detective's blundering, while the cops begin to link him to the crimes. A powerful real estate broker offers Rutledge an odd, lucrative job. Friends are threatened. He and Teresa dodge gunshots. Yet there is no identifiable antagonist, no motive, no reason for Rutledge to be a hub for evil. To protect himself and his friends, to avoid arrest - unsuccessfully, at first - he must scratch for information on an island where few tell the truth.
At the core of Bone Island Mambo is betrayal, retribution, and revenge. The plot twists in surprising directions, and Corcoran's characters are true characters, never as laid-back as they first appear. Visit Key West, and hang on for dear life.
PUBLISHERS WEEKLY
Key West crime scene photographer Alex Rutledge (The Mango Opera; Gumbo Limbo) returns for his third fast-paced adventure. Someone is recreating a number of bizarre murders dressing victims in drag, making off with heads and our hero is tapped as a main suspect. In clearing his name, Rutledge leads a fine tour of the area, from the Green Parrot bar to fishing flats in the mangrove forests. The best aspect of this novel is summed up in the line, "Key West used to be a quaint drinking village with a fishing problem." Corcoran captures this local atmosphere extremely well he clearly knows the turf (his photographs have appeared on several recordings by Key West mainstay Jimmy Buffett). But the style he uses to make this novel exciting invests every action with the same weight, from opening a beer ("I took the bottle, twisted the cap, spun it into the trash") to Rutledge being chased in his Shelby Mustang by gun-wielding assassins. Corcoran often seems almost postmodern, sitting outside his narrative and noting, "Instead for want of an action word they had messed with us." Or, regarding the convoluted and not very believable solution to the mystery: " 'You missed your calling,' I said. 'All these cable networks are looking for script writers.' " Sure to please fans of the series and folks who enjoy lightweight Florida crime novels.
