Bonfire
A Novel
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- ¥1,200
発行者による作品情報
“A suspenseful, psychologically gripping story” (Entertainment Weekly) that explores what happens when your past and present collide, from the star of Netflix’s Jessica Jones, AMC’s Orphan Black: Echoes, and author of the novel Retreat.
“A phenomenal, haunting debut.”—Gillian Flynn
“Dark, disturbing, and compulsively readable.”—Ruth Ware
Nothing burns as bright as the truth.
It has been ten years since Abby Williams, a successful environmental lawyer, left home for the modern apartments and one-night stands of Chicago. But when a new case takes her back home to Barrens, Indiana, the life Abby painstakingly created begins to crack. Tasked with investigating Optimal Plastics, the town’s economic heart, Abby begins to find strange connections to Barrens’s biggest scandal, involving her former classmate Kaycee Mitchell—just before Kaycee disappeared for good. And when Abby unearths a disturbing ritual called “The Game,” it will threaten reputations and lives, exposing a darkness that may consume her.
PUBLISHERS WEEKLY
Actress Ritter (Marvel's Jessica Jones) makes a triumphant fiction debut with this pulse-pounding thriller featuring a sympathetic, broken lead character. Ten years after leaving her hometown of Barrens, Ind., Chicago attorney Abby Williams returns as part of a legal team considering civil litigation against Optimal Plastics, a corporation whose chemicals may have caused illness and damaged crops. The professional challenge is daunting: Optimal has bought off much of the town, including a prosecutor who began a case against the company, until it swelled his campaign coffers for political office. Abby finds links to a case from more than a decade earlier, the disappearance of popular Kaycee Mitchell. On the personal side, Abby is unable to escape the grip of the past: a claque of mean girls relentlessly bullied her during high school, and her one surviving relative is her abusive father, who's declining mentally and physically. Abby's noirish worldview (she divides humanity into "the people of the world who squeeze and the ones who suffocate") is pitch-perfect, and Ritter effectively uses Abby's present-tense narration to create immediacy.
