Borne
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4.0 • 1件の評価
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- ¥680
発行者による作品情報
A FINANCIAL TIMES BOOK OF THE YEAR
The dark, dangerous, funny and uplifting new novel from the author of Annihilation, the inspiration for the major motion picture directed by Alex Garland.
‘Neither of us had control of our monsters anymore’
In a ruined city of the future, Rachel scavenges a strange creature from the fur of a despotic bear.
She names him Borne.
He reminds her of her homeland lost to rising seas, but her lover Wick is intent on rendering him down as raw material for the special drugs he sells. Nothing is quite what it seems, and if Wick is hiding secrets, so too is Rachel – and Borne most of all.
Reviews
‘Jeff VanderMeer’s Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it's a thorough marvel’ Colson Whitehead
‘Jeff VanderMeer’s deeply strange and brilliant new novel extends the meditation on the central question of non-human sentience in his earlier work … No one writes a post-apocalyptic landscape like VanderMeer, so detailed and strange in all its lineaments and topography’ Neel Mukherjee, Guardian
‘From being a very successful SF writer, VanderMeer will become mainstream – and Borne is full of signs that he is already thinking ahead of that easy transition, and perhaps subverting it’ Toby Litt, New Statesman
‘No one writes a post-apocalyptic landscape like VanderMeer, so detailed and strange in all its lineaments and topography, at once a wasteland and yet seething with the weirdest kind of flora, fauna and biotech’ Neel Mukherjee, Observer
‘As Borne grows and evolves, so develops a weird family dynamic in a novel that is as much of a fascinating hybrid as its title character, both an enthralling fantasy adventure and a bleak eco-dystopic admonition’ James Lovegrove, Financial Times
‘Borne is a fantastic read, a vivid vision of an apocalyptic future that defies expectations and challenges any preconceptions as to how events are going to unfold. It can be disturbing at times – there are some chilling moments that wouldn’t be out of place in a horror novel – but it’s a book that ultimately transcends genre, offering its reader a range of emotions and a finale that provides more than one twist, all of which should be applauded. Rachel’s story is one that will stay in the memory for a long time; VanderMeer shares her hopes and dreams with us, as well as her failures and concerns, making Borne an intimate portrayal that appeals on a multitude of levels’ Starburst
About the author
Jeff VanderMeer is an award-winning novelist and editor, and the author most recently of the New York Timesbestselling Southern Reach Trilogy. His fiction has been translated into twenty languages and has appeared in the Library of America’s American Fantastic Tales and multiple year’s-best anthologies. He grew up in the Fiji Islands and now lives in Tallahassee, Florida, with his wife.
PUBLISHERS WEEKLY
VanderMeer, author of the acclaimed Southern Reach trilogy, has made a career out of eluding genre classifications, and with Borne he essentially invents a new one. In a future strewn with the cast-off experiments of an industrial laboratory known only as the Company, a scavenger named Rachel survives alongside her lover, Wick, a dealer of memory-altering beetles, with whom she takes shelter from the periodic ravages of a giant mutant bear named Mord. One day, caught in Mord's fur, Rachel finds the bizarre, shape-shifting creature "like a hybrid of sea anemone and squid" she calls Borne. Rachel adopts Borne and takes on its education over Wick's objections. But Borne proves a precocious student, experiencing more and more complex transformations, testing Rachel's loyalty as it undertakes a personal mission that threatens Rachel and Wick's fragile existence even as it brings painful truths to the surface truths like Wick's mysterious past with the Company, the identity of the mercurial rival he calls the Magician, the origin of the feral children who roam the wasteland, and even the circumstances of Rachel's own interrupted childhood. Reading like a dispatch from a world lodged somewhere between science fiction, myth, and a video game, the textures of Borne shift as freely as those of the titular whatsit. What's even more remarkable is the reservoirs of feeling that VanderMeer is able to tap into throughout Rachel and Wick's postapocalyptic journey into the Company's warped ruins, resulting in something more than just weird fiction: weird literature.
