Boy with Loaded Gun
A Memoir
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- ¥1,600
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- ¥1,600
発行者による作品情報
This tragicomic memoir of a boy from Itta Bena, Mississippi, and his lifelong misadventures is "a heartrending account of grown-up self-destruction" (Entertainment Weekly).
His own mother referred to him as a "nervous child," an "odd child." He was the class clown—the skinny kid with a cowlick, freckles, jug ears, and an overbite. He was obsessed with sex, comic books, and beatniks. He tried to fly off his front porch like Superman only to land flat on his face. He was the boy who saved his money, bought a mail-order gun, and shot himself in the foot—over and over again.
How did this boy get to be the most famous son of Itta Bena, Mississippi, an acclaimed and award-winning author of absurd and darkly comic fiction? The floodgates of confession open in this funny, tragic, and bittersweet memoir about an awkward kid who dreamed of a world beyond his home in the Mississippi Delta.
From losing a father as a child to losing a child as a father, from the rawness of youth to the rage and redemption of adulthood, Lewis Nordan's Boy with Loaded Gun is a powerful elegy about a hopeful boy finding his way in a seemingly hopeless world.
"Very moving . . . The author piles warm, humorous, and often poignant episode upon episode as he recalls his life. "—Booklist
"The must-read Southern memoir of the season…Nordan has wrestled with the demons of grief, infidelity, and alcoholism and tells his story with dignity, humor, and grace." —Library Journal
PUBLISHERS WEEKLY
Nordan, a novelist (Wolf Whistle; Lightning Song) who savors the darkly comic possibilities of human folly, chronicles his own bad behavior in this rueful, notably candid memoir of an "odd child" who grows into a wayward adult. Grief, loss and dislocation are his earliest memories: when Nordan is 18 months old, his father dies and his mother moves them to tiny Itta Bena, Miss. After she remarries, Nordan longs for his lost father while gradually accepting his new one, a distant but loving alcoholic housepainter. Television introduces a wider world beyond the delta, which young "Buddy" begins contacting via mail-order. He buys a pistol through a magazine ad and tries to shoot his stepfather. Fortunately, the gun misfires, but the pattern is set: throughout life, Nordan will yearn for what's lost, reject what love he has and generally act like a destructive, self-centered jerk. His misadventures stem from bad judgment (to impress a woman, he puts his infant son on a neighbor's horse; the boy survives the incident, but the horse doesn't) and genuine tragedy (his second son dies hours after birth; his first son commits suicide while in college). Alcoholism, infidelity and an implausible knack for attracting weirdos are described with a bracing mix of forthrightness and novelistic exaggeration. Nordan's characteristic wit crops up, though the effect is more stinging (and the prose more subdued) than the redemptive humor of his acrobatically lyrical fiction. "The self-blame book is not the book I want to write, and not the one I suspect anyone wants to read," he contends. Not to worry: Nordan avoids self-flagellation and solipsism, fashioning instead a memoir that achieves hard-won introspection and strikes a tone of weary sadness and wonderment that Buddy turned out okay after all.
