Burning Questions
Essays and Occasional Pieces, 2004 to 2021
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- ¥1,700
Publisher Description
In this brilliant selection of essays, the award-winning, best-selling author of The Handmaid's Tale and The Testaments offers her funny, erudite, endlessly curious, and uncannily prescient take on everything from whether or not The Handmaid’s Tale is a dystopia to the importance of how to define granola—and seeks answers to Burning Questions such as...
• Why do people everywhere, in all cultures, tell stories? Including thoughts on the writing of The Handmaid’s Tale, The Testaments, Oryx & Crake, and Atwood's other beloved works.
• How much of yourself can you give away without evaporating?
• How can we live on our planet?
• Is it true? And is it fair?
• What do zombies have to do with authoritarianism?
In more than fifty pieces, Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better guide to the many and varied mysteries of our universe.
PUBLISHERS WEEKLY
Atwood returns to nonfiction (after Moving Targets) with this impressive collection of answers to "some of the burning questions I've been asked." As she writes, "The questions we've been faced with so far in the twenty-first century are more than urgent." "The Futures Market" sees her amusingly parse the popularity of zombies in pop culture (they offer "an escape from a real future we quite rightly fear"), and "Literature and the Environment" addresses the responsibilities writers have regarding climate change: "Unless we can preserve such an environment, your writing and my writing... will become simply irrelevant, as there will be nobody left to read it." Readers will also appreciate the insight into Atwood's creative process: "Scientific Romancing" reveals the inspiration she found in Orwell's 1984, and in "Reflections on The Handmaid's Tale," she shares her thoughts about the novel three decades on ("Is prophetic? No. No novel is prophetic except in retrospect"). Despite the oft-serious nature of the collection, there are welcome dashes of levity, as when Atwood describes her encounter with a hard-selling mall clerk who manipulated Atwood's young daughter into demanding a Cabbage Patch doll. (It wound up "living in squalor at the back of the closet"). The result is a superior assembly of intellectual excursions.
