Cabin Pressure
One Man's Desperate Attempt to Recapture His Youth as a Camp Counselor
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- ¥1,600
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- ¥1,600
発行者による作品情報
What happens when a grown man returns to the site of his fondest childhood memories? A wry, clear-eyed, and laugh-out-loud look at the transition to adulthood.
Three months before getting married at age thirty-four, Josh Wolk decides to treat himself to a "farewell to childhood" extravaganza: one last summer working at the beloved Maine boys camp where he spent most of the eighties. And there he finds out that there's no better way to see how much you've changed than to revisit a place that hasn't changed at all.
In these eight hilarious, uncomfortable, enlightening weeks, Josh readjusts to life teaching swimming and balancing on a thin metal cot in a cabin of shouting, wrestling, wet-willie-dispensing fourteen-year-olds who, contrary to the warnings of doomsaying sociologists, he finds indistinguishable from the rowdy fourteen-year-olds of his day in any way other than their haircuts. With his old camp friends gone, he finds himself working alongside guys who used to be his campers. Moments of feeling cripplingly old are offset by the corrosive insecurities of his youth when he's paired in the cabin with Mitch, the forty-two-year-old jack-of-all-extreme-sports whose machismo intimidated Josh so much fifteen years earlier, and whom their current campers idolize. And throughout all this disorienting regression, Josh's telephone conversations with his fiance, Christine, grow increasingly intense as their often-comical discussions over the wedding become a flimsy cover for her worries that he's not ready to relinquish his death-grip on the comforts of the past.
A hilarious and insightful look at the tenacious power of nostalgia, the glory of childhood, and the nervous excitement of taking a leap to the next unknown stage in life, Cabin Pressure will appeal to anyone who's ever been young, wishes he was young again, but knows deep down it probably isnt a good idea.
PUBLISHERS WEEKLY
Wolk bids adieu to carefree living by returning one last time to summer camp before he gets married. In his account of his eight-week stint as a counselor at Camp Eastwind in Maine, he takes the reader on a romp through male adolescence, which, for Wolk, has retained an archetypal purity. Through the humor ("apoopeatersayswhat?"), the diving board games ("arrrgh, ya got me!"), the smell ("a mixture of feet, old olive loaf and an un air-conditioned morgue"), he captures the essence of the male teenager with tender, wistful insight. The book evokes in the reader the same nostalgia for camp and even adolescence that Wolk feels as he anticipates his return to Eastwind. What propels the memoir, though, is Wolk's frank description of his own re-emerging insecurities inherent to his adolescent self. When he receives a tepid reception from the other counselors, for instance, he calls his fianc e and expresses his reservations about his plan, sounding like a homesick camper calling home. Then there is Mitch, the "action-sport junky" counselor from Wolk's youth, creating the perfect balance between tension and fun-loving innocence: Wolk's domination over his campers in backgammon just cannot compare to Mitch's speedboat rides. But Wolk undergoes a significant transformation, leaving behind his adolescent misconceptions about manhood and re-entering the world on his own terms.
