Caught in the Revolution
Petrograd, 1917
-
- ¥1,200
発行者による作品情報
SELECTED AS A BOOK OF THE YEAR IN THE TELEGRAPH AND EVENING STANDARD
'[The] centenary will prompt a raft of books on the Russian Revolution. They will be hard pushed to better this highly original, exhaustively researched and superbly constructed account.' Saul David, Daily Telegraph
'A gripping, vivid, deeply researched chronicle of the Russian Revolution told through the eyes of a surprising, flamboyant cast of foreigners in Petrograd, superbly narrated by Helen Rappaport.' Simon Sebag Montefiore, author of The Romanovs
Between the first revolution in February 1917 and Lenin’s Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil. Foreign visitors who filled hotels, bars and embassies were acutely aware of the chaos breaking out on their doorsteps. Among them were journalists, diplomats, businessmen, governesses and volunteer nurses. Many kept diaries and wrote letters home: from an English nurse who had already survived the sinking of the Titanic; to the black valet of the US Ambassador, far from his native Deep South; to suffragette leader Emmeline Pankhurst, who had come to Petrograd to inspect the indomitable Women’s Death Battalion led by Maria Bochkareava.
Drawing upon a rich trove of material and through eye-witness accounts left by foreign nationals who saw the drama unfold, Helen Rappaport takes us right up to the action – to see, feel and hear the Revolution as it happened.
PUBLISHERS WEEKLY
Rappaport (The Romanov Sisters) adopts an eyewitness approach to the Russian Revolution of 1917 in this fun, fast-paced, yet frivolous work. She bases her story on the firsthand accounts of Westerners in Petrograd at the time a mixed bag of bankers, diplomats, journalists, socialists, and socialites, including Julia Dent Grant (granddaughter of Ulysses S. Grant); journalists Florence Harper, Arthur Ransome, and John Reed; and American war photographer Donald Thompson. Some witnesses braved the mob scene with camera and notebook in hand. Others barricaded themselves in their offices and watched through their windows, fearing for their lives as the violence escalated. Rappaport fails to really develop these personalities, and the perspective changes as rapidly as the street names. Compared to Reed's Ten Days that Shook the World or Richard Pipes's classic The Russian Revolution 1899 1919, this is revolution-lite, very colorful but without much analysis or context. Rappaport treats readers to glimpses of the general strikes, bread protests, looting, and red banner waving through the smoky-rose glasses of these wistful and unprepared foreigners. Sadly, the Russians are reduced to a ragged, hungry monochrome mass. Map & illus.
