Center Center
A Funny, Sexy, Sad Almost-Memoir of a Boy in Ballet
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- ¥710
発行者による作品情報
“James Whiteside is an electrifying performer, an incredible athlete, and an artist, through and through. To know James is to love him; with Center Center, you are about to fall in love.” —Jennifer Garner
“A frank examination and celebration of queerness.”
—Good Morning America
A daring, joyous, and inspiring memoir-in-essays from the American Ballet Theatre principal dancer-slash-drag queen-slash-pop star who's redefining what it means to be a man in ballet
There's a mark on every stage around the world that signifies the center of its depth and width, called "center center." James Whiteside has dreamed of standing on that very mark as a principal dancer with the prestigious American Ballet Theatre ever since he was a twelve-year-old blown away by watching the company's spring gala. The GLAMOUR. The VIRTUOSITY. The RIPPED MEN IN TIGHTS!
In this absurd and absurdist collection of essays, Whiteside tells us the story of how he got to be a primo ballerino—stopping along the way to muse about the tragically fated childhood pets who taught him how to feel, reminisce on ill-advised partying at summer dance camps, and imagine fantastical run-ins with Jesus on Grindr. Also in these pages are tales of the two alter egos he created to subvert the strict classical rigor of ballet: JbDubs, an out-and-proud pop musician, and Ühu Betch, an over-the-top drag queen named after Yoohoo chocolate milk.
Center Center is an exuberant behind-the-scenes tour of Whiteside’s triple life, both on- and offstage—a raunchy, curious, and unapologetic celebration of queerness, self-expression, friendship, sex, creativity, and pushing boundaries that will entertain you, shock you*, inspire you, embolden you . . . and maybe even make you cry.
*THIS IS NOT A BOOK FOR CHILDREN.
PUBLISHERS WEEKLY
Whiteside, a principal dancer with the American Ballet Theater, pours out his soul in a debut that's deeply resonant—but no less raunchy for it. Through essays that jeté gracefully back and forth through time, Whiteside lays bare his Connecticut youth spent in a splintered family, his turbulent path toward coming out as a young gay ballet dancer in the 2000s, and a litany of misadventures in New York City with his feted drag coterie, the Dairy Queens ("we pole danced, we did splits in the grass... our antics were a hit"). The emotional core is firmly located in "Nancy," a novella-length biography of Whiteside's "brilliant, complicated, unicorn of a mother" that is breathtaking in its vulnerability and tenderness as it chronicles her triumph over alcoholism and two divorces, and her determination to live like "a Greenwich socialite" until she died of cancer at age 68. The tone is not always so consistent; Whiteside's forays into purely comic writing—such as one essay about an imagined hookup with Jesus Christ on Grindr—land with a thud in comparison to the memoir. Even with its bumpy delivery, this entertaining account is easy to devour.
