Clear
A Transparent Novel
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- ¥570
発行者による作品情報
Longlisted for the 2004 Man Booker Prize. A raucous, novel about the circus surrounding David Blaine’s starvation stunt at Tower Bridge, from a Granta Best of British Novelist.
On 5th September 2003, New York Illusionist David Blaine entered a small perspex box adjacent to the River Thames and commenced starving himself. Forty-four days later – on 19th October – he left the box, four stone lighter. That much, at least, is clear.
And the rest? The crowds? The chaos? The hype? The rage? The rows? The lust? The filth? The bullshit? The hypocrisy?
Nicola Barker fearlessly crams all that and more into this ribald and outrageous peep show of a novel, her most irreverent, caustic, up-to-the-minute work yet, laying bare the heart of our contemporary world, a world of illusion, delusion, celebrity and hunger.
Reviews
‘Compelling. Barker's narrative draws us in with the disturbing, surreal touch of a latter-day Lewis Carroll' Sunday Times
'Barker's eccentrics are the stuff of pure farce. And they allow her to reinvent, joyously, the cogs, gears and mechanics of the genre. She knows, as Wodehouse also knew, how to rev up the language, do baroque variations on a phrase, even break into a kind of poetry’ New York Times
'Dazzling… She celebrates the complexity of human experience’ The Times
‘Nicola Barker's linguistic exuberance got me hooked … Like an angel dancing on the head of a pin, she takes a brief event in the crowded capital and uses it to whoop and whirl … impressive, smart, funny, fast' Observer
'Insanely inventive. Her vision of a marginal Britain populated by drifters and desperados is fired by a comic energy that dances on the edge of self-combustion' Guardian
About the author
Nicola Barker was born in Ely in 1966 and spent part of her childhood in South Africa. She lives and works in east London. She was the winner of the David Higham Prize for Fiction and joint winner of the Macmillan Silver Pen Award for Love Your Enemies, her first collection of stories (1993). Her first novel Reversed Forecast was published in 1994 and a short novel Small Holdings followed in 1995. A second collection of short stories Heading Inland, for which Nicola received an Arts Council Writers’ Award, and received the 1997 John Llewellyn Rhys/Mail on Sunday Prize. Her story ‘Symbiosis’ was filmed and broadcast on BBC2; another story, ‘Dual Balls’, was commissioned for broadcast on Channel 4 and shortlisted for a BAFTA Award. Her third novel Wide Open was published in 1998, and won the English-speaking world’s biggest literary award for a single work, the IMPAC Prize. In 2000 she published another short novel, Five Miles from Outer Hope. Her fifth novel, Behindlings, was published in 2002 and the following novel, Clear, was longlisted for the Booker Prize in 2004. Darkmans, was shortlisted for the Booker Prize 2007, the 2008 Royal Society of Literature Ondaatje Award and won the Hawthornden Prize for 2008. Most recently, Barker's work THE YIPS has been longlisted for The Man Booker Prize 2012. She was named as one of the 20 Best Young British Novelists by Granta in 2005. Her work has been translated into over a dozen languages.
PUBLISHERS WEEKLY
With her fresh, confident sophomore novel (after Behindlings), Barker offers a meditation on illusionist David Blaine's feat of self-starvation 44 days spent suspended in a clear box above the Thames River. Analytical narrator Adie, a prickly, literate young man who works in an office overlooking the Blaine spectacle, carefully dissects the psychology of both Blaine and the hordes of onlookers who feed him attention as he slowly starves. Meanwhile, Adie's own drama unfolds, set off by a strange encounter with Aphra, a perplexing girl with a freakish sense of smell and a fetish for vintage shoes who spends her nights on the riverbank watching Blaine sleep. As Adie's involvement with Aphra grows more complicated, his initially cynical interest in Blaine becomes more obsessive. "Perhaps... this loopy illusionist has tapped into something.... A fury. A disillusionment," Adie muses, ruminating on the vileness and beauty that Blaine's presence has brought out among Brits. Despite Adie's determined disdain for the man, the unwelcome "Hunger Artist" leads him to wonder if "Some things are beyond the reach of art. Some words are meaningful beyond understanding." Offbeat and authentic, intellectual and accessible, Barker's is an original voice.