Cop Out
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- ¥800
発行者による作品情報
When a PI vanishes and leaves a body in his office, it's up to Jill Smith to pick up the pieces
Jill knows something's wrong with Herman Ott as soon as she sees him on the patio at the Claremont Hotel. A perpetually broke ex-hippie private investigator, Ott is known around town for owning a wardrobe of nothing but yellow second-hand clothes. Yet today he wears all black, and after asking Jill to meet him at Berkeley's most elegant hotel, he clams up and refuses to explain why he needs to see her. Apologizing, he asks her to call him an hour later. Jill obliges, but Ott never answers his phone.
And the next day, inside Ott's office, she finds a body. Jill doesn't know what kind of trouble Ott is in, but if she doesn't find him soon, his notorious yellow suit may be marred with a dash of blood red.
This ebook features an illustrated biography of Susan Dunlap including rare images from the author's personal collection.
PUBLISHERS WEEKLY
This 10th entry in Dunlap's Jill Smith series (after Sudden Exposure) is a deft and engrossing treatment of greed, trust and betrayal that puts a new spin on political correctness. Smith's police work in Berkeley, Calif., involves her with people on the fringes of society-street people, con artists and old radicals. But then, as this unpredictable mystery points out, Smith herself, idealistic and intolerant of authority, lives on the fringes of the police department. Her informant, Herman Ott, "private detective to the counterculture," is a defender of the underdog whose tenacious protection of many felons has earned him the enmity of the Berkeley police. When the body of Bryant Hemming, head of the Arts and Creativity Council and a well-regarded arbitrator of local disputes, is discovered dead in Ott's office, and when Ott himself is nowhere to be found, suspicion falls upon the unconventional PI, and Smith is torn between her belief in Ott's innocence and her duty to the police. Smith's investigation reveals Berkeley's eccentrics at their best-and worst-and her methods are offbeat enough to antagonize her superiors. She eventually uncovers complex connections that point to financial fraud and finds that no one, particularly the parsimonious Ott, is what he seems to be. Smith's problematic romance with the burly and emotionally needy officer Seth Howard is always lively, adding another wrinkle of color to a series marked by its vividly depicted setting and admirably controlled plots.
