Courtesan
A Novel
-
- ¥1,000
発行者による作品情報
Amid the disapproving gossip of the Court, a royal romance defies all obstacles.
The Court of François I is full of lust, intrigue, and bawdy bon temps—a different world from the quiet country life Diane de Poitiers led with her elderly husband. Now a widow, the elegant Diane is called back to Court, where the King’s obvious interest marks her as an enemy to the King’s favourite, Anne d’Heilly. The Court is soon electrified by rumors of their confrontations. As Anne calls on her most venomous tricks to drive Diane away, Diane finds an ally in the one member of Court with no allegiance to the King’s mistress: his teenage second son, Henri.
Neglected by his father and disliked by his brothers, Prince Henri expects little from his life. But as his friendship with Diane deepens into infatuation and then a romance that scandalizes the Court, the Prince begins to discover hope for a future with Diane. But fate and his father have other plans for Henri—including a political marriage with Catherine de Medici. Despite daunting obstacles, Henri’s devotion to Diane never wanes; their passion becomes one of the most legendary romances in the history of France.
Also available as an eBook
PUBLISHERS WEEKLY
Haeger's first novel offers a romanticized account of the relationship between King Henri II of France and his mistress, Diane de Poitiers. Invited back to court after several years' absence, the 31-year-old widow is unwilling to warm the bed of Henri's father, King Francois I. Yet Francois's powerful mistress, Anne d'Heilly, still schemes to drive Diane from court, and Diane finds an ally in Prince Henri (the king's second son), who is almost equally friendless. Although many years her junior, Henri is infatuated with the beautiful widow and devastated when the king, hoping to get his hands on a chunk of Italy, sells him in marriage to Catherine de Medici. After the marriage, Henri continues to pursue Diane, and, about the time of the Dauphin's death, she becomes his mistress and advisor, roles she fills until his death. By drawing her pictures in stark white (Diane's friends) and black (Diane's foes), Haeger diminishes her book's effect: power struggles and court intrigues can be truly portrayed only in shades of gray. Without this complexity, the only readers this book will satisfy are those who value sentiment over authenticity.
