Cult Classic
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- ¥1,500
発行者による作品情報
A 2022 BOOK OF THE YEAR FOR THE TIMES
'The witty, improbably propulsive rom-com you didn't know you were waiting for' ELIF BATUMAN
'Razor sharp and very funny on the cult of modern dating' PANDORA SYKES
'So good. I couldn't stop reading it' NICK HORNBY
'Cult Classic makes an uproarious time of romantic carnage' RAVEN LEILANI
'A witty and fantastical story of dating and experimental psychology in New York City'
PUBLISHERS WEEKLY (starred review)
One night in New York City's Chinatown, Lola is at a dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. The next night, she runs into another ex. And then… another. The city has become awash with ghosts of heartbreaks past.
What might have passed for coincidence becomes something far stranger when the recently engaged Lola must contend not only with the viability of her current relationship, but the fact that her best friend and her former boss – a magazine editor turned mystical guru – might have an unhealthy investment in its outcome. As memories of the past swirl and converge, Lola is forced to decide if she will surrender herself to the conspirings of one very contemporary cult.
A smart, sharp and hugely entertaining tale of luck and love, Cult Classic asks: is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale?
PUBLISHERS WEEKLY
Crosley (The Clasp) offers a witty and fantastical story of dating and experimental psychology in New York City. After Lola, 37, bumps into two exes in two days, she suspects it's more than coincidence. Then her friend Vadis, with whom she used to work at a prestigious psychology journal, drags her to a meeting held by a secretive startup named Golconda run by their charming former boss, Clive Glenn. Clive is putting an obscure theory to the test involving meditation and technological manipulation, in which participants can lure people from their past for a final interaction and closure. Lola balks at the cultlike reverence the others show for Clive, as well as their New Agey vibe, but also hopes to clarify whether she really wants to marry her glassmaker fiancé, Boots. With Boots away for two weeks in San Francisco, she signs up and spends every evening having brief interactions with exes, then returning to Golconda for debriefing. When a stressed-out Clive says they only have funding for one final encounter, Lola discovers something unsettling about the experiment. The accounts of Lola's reckoning with her romantic history are thoroughly hilarious (describing the rush of boyfriends past, she narrates, "I experienced these men as no one is supposed to experience them, as if being propelled from a T-shirt gun"), and the details of online dating, which made her "the victim of a metric ton of rejection," are also sharply perceptive, rooting this very much in the real world. Crosley has found the perfect fictional subject for her gimlet eye.
