Curlie Carson Listens In

This is a Fiction Short Story Book. The book tells that Behind locked and barred doors, surrounded by numberless mysterious-looking instruments, sat Curlie Carson. To the right of him was a narrow window. Through that window, a dizzy depth below, lay the city. Its square, flat roofs formed a mammoth checker-board. Between the squares criss-crossed the narrow black streets. Like a white chalk-line, drawn by a careless child, the river wound its crooked way across this checker-board. To the left of him was a second narrow window. Through this he caught the dark gleam of the broad waters of Lake Michigan. Here and there across the surface twinkled the lamps of a vessel, or flashed the warning beacon of a lighthouse. A boy in his late teens was Curlie. Slender, dark, with coal-black eyes, with curls of the same hue clinging tightly to his well-shaped head, he had the strong profile and the smooth tapering fingers that might belong to an artist, a pickpocket or a detective. An artist Curlie was, an artist in his line--radio. Although still a boy, he was already an operator of the "commercial, extra first-class" type. So far as license and title were concerned, he could go no higher. A pickpocket he was not, but a detective he might be thought to be; a strange type of detective, however, a detective of the air; the kind that sits in a small room hundreds of feet in air and listens; listens to the schemes, the plots, the counterplots of men and to the wild babble of fools. His task was that of aiding in the capture of knaves and the silencing of foolish folks who used the newly-discovered radiophone as their mouthpiece.