Dangerous Dilemmas
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- ¥1,800
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- ¥1,800
発行者による作品情報
"I'll fix it for you. You don't have to cry," said the tall man with the deep, Barry White kind of voice.
But Audrey Roberts wasn't just crying about her flat tire. Her tears were for things that couldn't be mended. After all, how do you fix the pain of finding your lawyer husband in bed with someone else? And how do you heal the wound of having your only son face trial for a murder he insists he didn't commit?
Houston cop Kirk Maxwell might not have known the details of Audrey's life, but he could recognize a person who had reached a breaking point. He had reached his own after the death of his wife. Now he's responding to Audrey's with a surge of protectiveness -- and passion.
But Audrey soon finds that Maxwell's affections have created a dangerous dilemma for both of them. Realizing that Maxwell was the arresting officer in her son's case, Audrey must decide what is more important: fighting for her child...or her own heart.
PUBLISHERS WEEKLY
Palfrey's third work of African-American commercial women's fiction (after Three Perfect Men, which she self-published, and The Price of Passion, from S&S) falls short of delivering suspense, burying readers in a clich d if sweet story of one woman's trials with both romantic and familial love. Palfrey's apparent wishes are commendable: she seems to want to offer a mature, intelligent tale to set readers thinking about what they would do if faced with the dilemma the protagonist must deal with. Audrey Roberts's life is certifiably awful. Her son, Malcolm, is being held in a Houston jail on murder charges, and she learns that her husband of 25 years is having an affair with a man. Things must get worse before they get better: on a visit to her son, Audrey's rental car gets a flat tire, and she's rescued by a tall, dark and handsome stranger named Kirk Maxwell. All seems heavenly ("Audrey looked up into his black eyes and felt herself drowning in his tenderness") until she learns that Maxwell is Malcolm's arresting officer. She now must decide what's more important helping her son win his case or having a heated love affair with Malcolm's legal arch enemy. The concept may be unique, but Palfrey's clunky sentences and overloaded plot (she throws in AIDS, racism, a crumbling marriage, a disintegrating family and more) make for a largely unfocused effort.
