Dear Prudence
New and Selected Poems
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- ¥2,400
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- ¥2,400
発行者による作品情報
"This magnum opus confirms David Trinidad's place in the poetic firmament: he is simply the best we have. A worthy successor to James Schuyler, Trinidad writes soulfully and sometimes photorealistically about the melancholy threshold where dolls and stars become inner objects—dirty, glamorous, destructible. Jacqueline Susann meets Sei Shonagon? Trinidad manages to combine neo-formalist abstraction with dripping gorgeous figuration: Bonnard's wet dream."—Wayne Koestenbaum
"This is a volume celebratory in tone, panoramic in scope, funny, and genuinely moving. Trinidad is at the center of what's relevant in his art. And this collection is more vital and more enjoyable than any single performance he has given thus far."—D.A. Powell
"Trinidad attends to the present to see into the past with such needle point precision it's like encountering a perfectly appointed movie set where personal memory crosses intimately with cultural memory. Poetic form in Trinidad's hands is a metaphor for staking a claim on the material world even as it slips away in a shimmery Hollywood dissolve—a desperate, doomed reclamation of all that can never be held long enough."—Robyn Schiff
"Utterly deadpan and astonishingly fine" is how Publishers Weekly described the poems of David Trinidad. And here is the collection all David Trinidad fans have been waiting for—the first book to have works from all his previous books along with forty new poems: Dear Prudence: New and Selected Poems.
PUBLISHERS WEEKLY
Although Trinidad now lives in Chicago, he is best known as a 1980s Los Angeles poet (working alongside Dennis Cooper and Amy Gerstler) who moved to New York at the height of the AIDS crisis (occasionally registering its toll) and refined a version of James Schuyler's singular dailiness while indulging pop obsessions. The poems are a pleasure to read: anyone who loves Schuyler, cats, Barbie, or Heddy LaMarr can flip to nearly any page and find sparkling observations. The poems of domestic bliss with Ira, Trinidad's former partner, form a diaristic bloc that reads like a postcard version of the New York School. The poems chronicling the lives and rivalries of his peers (including Tim Dlugos), along with their relationships with poetic luminaries like Schuyler, form an important poetic record. And the poems of sex with strangers, and others, capture real immediacies. The 125 pages of new poems that open the volume are largely valedictory looks back: "So I'm in the frozen food aisle/ at Jewel, trying to find the right/ veggie burger, and I realize/ "Blitzkrieg Bop" is playing on/ the store's P.A. Thirty years later:/ the Ramones as Muzak? Hard to Believe."