Dismantled
A Novel
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- ¥1,700
発行者による作品情報
“An eerie and gripping tale of suspense….A triumph.”
—Boston Globe
A stunning and chilling thriller from the author of the New York Times bestseller Island of Lost Girls that further burnishes her reputation as "One of the brightest new stars of literary suspense" (Los Angeles Times online).
When Henry, Tess, Winnie, and Suz form the Compassionate Dismantlers in college, the first rule of their manifesto is, "To understand the nature of a thing, it must be taken apart." But their penchant for acts of meaningful vandalism and elaborate, often dangerous pranks results in Suz's death in the woods of Vermont—a tragedy the surviving Dismantlers decide to cover up.
Nearly a decade later, Henry and Tess are desperate to forget, but their guilt isn't ready to let them go. When a mysterious Dismantler-style postcard drives a past prank victim to suicide, it sets off a chain of terrifying events that threatens to tear apart their world and engulf their inquisitive nine-year-old daughter, Emma. Is there someone who wants to reveal their secrets? Or is it possible Suz has found a way to enact revenge?
Full of white-knuckle tension with deeply human characters caught in circumstances beyond their control, Jennifer McMahon's enthralling story proves that she is a master at weaving the fear of the supernatural with the stark realities of life.
PUBLISHERS WEEKLY
A prank gone wrong drives this outstanding novel from bestseller McMahon (Island of Lost Girls). The summer after graduation, four friends, who formed an art group called the Compassionate Dismantlers at Vermont's Sexton College, live together in a remote cabin and commit increasingly brash acts of sabotage. When they go too far and their leader, Suz Pierce, dies, the group disbands, vowing never to speak about what happened. Ten years later, two of the group, Henry DeForge and Tess Kahle, are unhappily married with a nine-year-old daughter, Emma. When the suicide of a Sexton friend sends a PI digging into the past, Henry and Tess fear that the dead may not be truly buried. By alternating the present-day lives of Henry, Tess and Emma with the origins of the Dismantlers, McMahon allows the inexorable sense of dread to build incrementally. Perhaps most memorable are not the young artists but Emma, a child whose intense imagination only adds fuel to the slow-burning fire.
