Drive

PUBLISHERS WEEKLY 2005年12月19日

One of the first Chicana poets to achieve wide U.S. recognition, Cervantes did so with just two books, Emplumada (1981) and From the Cables of Genocide (1991); this substantial, versatile follow-up consists (subtitle not withstanding) of five distinct collections, that can be considered as discrete works. All show fire and range, and all draw on Cervantes's life on the streets as a teen and on her left-wing activism as an adult. The first, How Far's the War?, comprises poems of activism and protest against a global spate of injustices, from Latin American dictatorships to shortages in Eastern Europe: "La plumage de justicia hangs from the broken/ arrows of palabras breaking the media block/ Of Truth and Consequences of Free Trade Agreements." The last, Hard Drive, collects warmly convincing poems of erotic and parental love, remembered, promised and achieved: "Come,/ and let us eat/ up the hours/ between us." BIRD AVE, perhaps the strongest, concentrates on Cervantes's youth, recalling "what girls/ did in/ the barrio/ to get/ their 15/ minutes of fame." About 10 poems are abbreviated appropriations of very famous poems by Bishop, Williams and others, with new titles. But this five-in-one volume reestablishes Cervantes as a singular voice.