Endpoint and Other Poems
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- ¥1,000
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- ¥1,000
発行者による作品情報
A stunning collection of poems that John Updike wrote during the last seven years of his life and put together only weeks before he died for this, his final book.
The opening sequence, “Endpoint,” is made up of a series of connected poems written on the occasions of his recent birthdays and culminates in his confrontation with his final illness. He looks back on the boy that he was, on the family, the small town, the people, and the circumstances that fed his love of writing, and he finds endless delight and solace in “turning the oddities of life into words.”
“Other Poems” range from the fanciful (what would it be like to be a stolen Rembrandt painting? he muses) to the celebratory, capturing the flux of life. A section of sonnets follows, some inspired by travels to distant lands, others celebrating the idiosyncrasies of nature in his own backyard.
For John Updike, the writing of poetry was always a special joy, and this final collection is an eloquent and moving testament to the life of this extraordinary writer.
PUBLISHERS WEEKLY
Many delights but very few surprises await Updike's admirers in this last book of poems from the prolific essayist and novelist, completed only weeks before his death. Much of it gathers calm, casual, loosely rhymed sonnets, first in autobiographical sequences, describing the first and the last years of the poet's life: Age I must, but die I would rather not... Be with me, words, a little longer. These sequences sketch Arizona and New England; single sonnets, placed later in the collection, offer impressions of Russia, India, the Irish seashore ( like loads of eternal laundry,/ onrolling breaks cresting into foam ) and of nearer phenomena, such as the noise made by men fixing Updike's house. Quiet poems pay tribute to golf and golfers, to Eros in old age and to America, where beneath/ the good cheer and sly jazz the chance/ of failure is everybody's right,/ beginning with baseball. Elegant samples of Updike's celebrated light verse are also in evidence. Mostly, though, these are serious, quiet, low-pressure, frequently elegiac poems, concerned with later life " old doo-wop stars, for example, gray hairdos still conked,/ their up-from-the-choir baby faces lined/ with wrinkles now.
