Face It
A Memoir
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- ¥3,200
発行者による作品情報
Filled with never-before-seen photos and art throughout, the much-anticipated autobiography from rock icon and lead singer of Blondie, Debbie Harry
BRAVE, BEAUTIFUL AND BORN TO BE PUNK
Musician, actor, activist, and the iconic face of New York City cool, Debbie Harry is the frontwoman of Blondie, a band that forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life—until now.
In an arresting mix of visceral, soulful storytelling and stunning visuals, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It re-creates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie. Aesthetically dazzling, and including never-before-seen photographs, bespoke illustrations and fan art installations, Face It brings Debbie Harry’s world and artistic sensibilities to life.
Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s breakup as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps—a memoir as dynamic as its subject.
“I was saying things in songs that female singers didn’t really say back then. I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up yet I was very serious.”—From Face It
PUBLISHERS WEEKLY
The singer of the New Wave band Blondie and star of art-house movies Videodrome and Hairspray looks back on lots of sex, drugs, and rock n' roll in this rough-and-tumble memoir. Harry recounts her plunge into bohemian New York in the 1960s and her navigation of the music scene as it shifted from hippiedom to disco to punk. It's a story of creative ferment, as she infused the burgeoning punk aesthetic into her own glammed-up style Marilyn Monroe with "a dark, provocative, aggressive side" and used Method acting techniques to hone her singing while slogging through gigs in gloriously grungy clubs including CBGB's and L.A.'s Whiskey a Go Go . Her portrait of Blondie's success in the late '70s feels less effervescent, full of wearisome touring and business wrangles. Harry offers a frank look at her life on the edge, including "oversexed" erotic adventures, a mugging and rape that she shrugs off ("the stolen guitars hurt me more"), an attempted abduction by a man she thinks may have been serial killer Ted Bundy, and unapologetic drug use. ("Heroin was a great consolation," she reflects of a period when she supplied herself and her hospitalized bandmate and boyfriend Chris Stein with the narcotic.) The narrative rambles, but Blondie fans will love its piquant atmospherics and the energy and honesty of Harry's take on her singular saga.
