Fargo Rock City
A Heavy Metal Odyssey in Rural North Dakota
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- ¥1,800
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- ¥1,800
発行者による作品情報
The 25th anniversary edition of Chuck Klosterman’s debut, a hilarious memoir of growing up as a shameless metalhead in Wyndmere, North Dakota (population: 498), empirically proving that no matter where you are, kids wanna rock—now with a new introduction from the author.
With a voice like Ace Frehley’s guitar, Klosterman hacks his way through hair-band history, beginning with that fateful day in 1983 when his older brother brought home Mötley Crüe’s Shout at the Devil. The fifth-grade Chuck wasn’t quite ready to rock—his hair was too short and his farm was too quiet—but he still found a way to bang his little head. Before the journey was over, he would slow-dance to Poison, sleep innocently beneath satanic pentagrams, lust for Lita Ford, and get ridiculously intellectual about Guns N’ Roses. C’mon and feel his noize.
PUBLISHERS WEEKLY
Klosterman's highly touted debut has as much to do with Fargo, N.D., as the Coen brothers' slice of Americabre, Fargo. That is, nothing at all, really. Misleadingly titled to cash in on Fargo's cinematic mystique, Klosterman's memoir about growing up a sexually repressed metalhead, with a humiliating (mom-dictated) Richie Cunningham haircut is actually set in Wyndmere, N.D. Klosterman starts up with a bang ("You know, I've never had long hair"), shifts gears often (from memoir to music criticism, somewhat jarringly at times), and rarely idles. Ultimately, though, Klosterman, ironic throughout the book, does not write with enough sincerity to prove his thesis "that all that poofy, sexist, shallow glam rock was important." Granted, it's a daunting task to write a hymn of praise to the genre that spawned David Lee Roth so the author wisely stretches his pop-culture references like taffy. In the final chapter Klosterman, now an arts critic for Ohio's Akron Beacon Journal, quotes a friend's definition of a "guilty pleasure" "something I pretend to like ironically, but in truth is something I really just like" to explain how he really feels about glam metal. His closing summation of what metal means to isolated kids in the heartland will strike a power chord for many readers.
