Figurehead
And Other Poems
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- ¥1,700
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- ¥1,700
発行者による作品情報
In a major review in The New Republic of John Hollander's two earlier books, Tesserae and Selected Poetry (both 1993), Vernon Shetley said, "John Hollander's poetry has shown a visionary power just often enough to secure him a place as one of the major figures of our moment."
Figurehead, a lively, varied, and technically dazzling book, confirms the statement made by Henry Taylor in the Washington Times: "John Hollander revels in technical challenges of unusual severity and complexity, yet most of his poems also have the emotional heft of something worth pausing over and remembering."
One of the most gifted of W. H. Auden's choices for the Yale Series of Younger Poets, Hollander has pursued the wide range and metrical brilliance of Auden's own poetry, so that this new book exhibits both a large compass of subject matter (from philosophical matters to personal narrative) and, as usual, some astonishing meditations on paintings--here, by Charles Sheeler, Rene Magritte, and Edward Hopper. By turns witty, touching, profound, mocking, ingenious, and always clever, Hollander's poems are a joy for the reader.
He is a modern master.
PUBLISHERS WEEKLY
"Busy busy busy" as the spinners of "Las Hilanderas," the poems in Hollander's complex 17th collection (following 1993's Tesserae) toil and trouble over the work of representation. With his nose habitually close to the book, the professorial poet and critic (The Gazer's Spirit; Rhyme's Reason; etc.) tries on a number of metrical and tropic hats to make this book a manual of the craft. Identifying with "the spider/ Spinning out of its own guts," Hollander's work takes its external structure from its author's internal composition. No wonder then that strains and forms from the Old Testament to Browning to James Merrill make their way into this web. Hollander's scholarship is everywhere in evidence, as is his playfulness. In the Swinburnian "A Fragment Twice Repaired," "JH" (as he names himself) gives voice to the torn papyrus that's all we have of the Tenth Muse and corrects the errors wrecked on text by "Eras of eros." Punning and teasing--nearly a nuisance in "Variations on a Tabletop"--the poet teaches his readers a lesson. There is about these poems the whiff of mortality. Asserting that "There's no reaching through any final curtain/ With some last work, adding a participle," Hollander warns of the limits of language and its inability to prevent the dust from turning back to dust. FYI: Hollander's A Crackling of Thorns won the 1958 Yale Younger Poets Series Prize. He is Sterling Professor of English at Yale.
