Folklorn
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- ¥1,200
発行者による作品情報
“Ghost story, family saga, parable, feminist reimagined myth: Angela Mi Young Hur’s hugely ambitious Folklorn is a spellbinding shape-shifter of a novel that tackles questions of race, culture, and history head-on, exploring the blurry boundaries between past and present, fact and fantasy, and personal and cultural—or cosmic.” —Celeste Ng, author of Little Fires Everywhere
A New York Times Best Sci-Fi and Fantasy Novel of 2021 | An NPR Best Book of 2021 | Indie Next Pick May 2021
A genre-defying, continents-spanning saga of Korean myth, scientific discovery, and the abiding love that binds even the most broken of families.
Elsa Park is a particle physicist at the top of her game, stationed at a neutrino observatory in the Antarctic, confident she’s put enough distance between her ambitions and the family ghosts she’s run from all her life. But it isn’t long before her childhood imaginary friend—an achingly familiar, spectral woman in the snow—comes to claim her at last.
Years ago, Elsa’s now-catatonic mother warned her that women of their line were doomed to repeat the narrative lives of their ancestors from Korean myth and legend. But Elsa also faces a more earthly fate: the mental illness and generational trauma that run in her immigrant family.
When her mother breaks her decade-long silence and tragedy strikes, Elsa must return to her childhood home in California. There, among family wrestling with their own demons, she unravels the secrets hidden in the handwritten pages of her mother’s dark stories: of women’s desire and fury; of magic suppressed, stolen, or punished; of the hunger for vengeance.
Folklorn is a wondrous and necessary exploration of the myths we inherit and those we fashion for ourselves.
PUBLISHERS WEEKLY
Blurring the lines between sci-fi and fantasy, Hur's sophomore novel (after The Queens of K-Town) offers a complex meditation on intergenerational trauma. While working at the Amundsen Scott South Pole Station, Korean-American physicist Elsa Park suffers sudden tinnitus and sees her imaginary friend from childhood. This sparks memories of the time Elsa's mother gave her a now lost collection of four Korean folktales and warned her that all the women in their family are doomed to live out their plots. To understand what's happening to her, Elsa consults Oskar Gantelius, a Swedish Korean adoptee and linguistics professor who specializes in Korean folktales and also serves as Elsa's love interest, though their relationship is given little development. But before the pair can make sense of Elsa's episodes, her mother dies, driving Elsa to find the folktales and figure out how to apply them to her own life. The honest look at prickly Elsa's internalized racism is ambitious but often brutal in its unflinching execution, and the third act twist relies on an outdated take on mental illness. Despite the unconvincing romance between Oskar and Elsa, their conversations on minority life in majority white spaces are painfully accurate. This thought-provoking work will appeal to SFF fans who like their talk of particle physics side by side with fox spirits and fairy tales.
