Four Wives
A Novel
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- ¥1,400
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- ¥1,400
発行者による作品情報
In Wendy Walker's brilliant debut, the lives of four wives and mothers intertwine and collide in a tale of suburban angst among outrageous wealth.
On the outside, it appears as though Love Welsh, Marie Passetti, Gayle Beck and Janie Kirk lead enviable lives, with marriages to handsome, successful men; bright, happy children; and homes right out of Architectural Digest. But in the wealthy suburb of Hunting Ridge, appearances mask a deeper truth: These four wives are anything but perfect. As they try to maintain a façade of bliss, behind closed doors they each face their own crises-infidelity, dissatisfaction, self-doubt. As springtime draws to an end, doors are both opened and closed and the women come face to face with the most difficult and heartbreaking challenge of their lives-to reconcile their innermost desires with the lives that each of them has chosen.
Four Wives shares a peek beyond the perfectly manicured lawns of Hunting Ridge—exposing a world as troubled as it is blessed.
PUBLISHERS WEEKLY
A klatch of wealthy suburban women become deeply entangled in one another's lives while planning a public health clinic benefit in Walker's uninspired first novel. Housewife Janie is having a heated affair she can't give up; lawyer Marie is trying to balance her law practice, family obligations and loafing husband when a hot summer intern arrives; heiress Gayle has turned to pills to numb her to the treatment of her abusive husband; and Love, a doctor's wife, receives a letter from her estranged father that dredges up a painful past. As the women's personal struggles invade their other, pedestrian pursuits, Love's struggle with the demands of motherhood and family forces Marie, Janie and Gayle to get more involved in the lives of their friends and neighbors. Unfortunately, Walker doesn't do much to bring life to her typecast characters, and the narrative wobbles wildly as the subplots barrel toward a big revelation. The ending is mostly happy, which will please some, but the novel's phoned-in feeling prevents readers from connecting with the characters.
