Gay Bar
Why We Went Out
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4.0 • 1件の評価
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- ¥2,200
発行者による作品情報
'Brilliantly written and incisive' Colm T�ib�n
'An absolute tour de force' Maggie Nelson
From leather parties in the Castro to Gay Liberation Front touch-ins; from disco at Studio One to dark rooms in Vauxhall railway arches, the gay bar has long been a place of joy, solidarity and sexual expression. But around the world, gay bars are closing. In the wake of this cultural demolition, Jeremy Atherton Lin rediscovers the party boys and renegades who lived and loved in these spaces.
Gay Bar is a sparkling, richly individual history of enclaves in London, San Francisco and Los Angeles. It is also the story of the author s own experiences as a mixed-race gay man, and the transatlantic romance that began one restless night in Soho. Expansive, vivacious, curious, celebratory, Gay Bar asks: where shall we go tonight?
PUBLISHERS WEEKLY
In this captivating debut, essayist Lin explores the gay bar as a cultural institution whose time may have passed. Focusing mainly on Los Angeles, San Francisco, and London, Lin delves into centuries of written and oral histories to chart the development of the first gay bars from as far back as the 13th century through to today, the roles different establishments played in gay liberation movements, and the many venues that have closed due to lack of traffic, rent increases, or transformation into heterosexual hangouts. He also muses on contemporary queer youth's desire for quiet "safe spaces" as opposed to the fun, raucous, and often "raunchy" meeting places of years past. It isn't all glowing nostalgia, though; Lin skewers what he sees as gay bars' "persecution of the effeminate" gay man, and recaps a mid-1970s racial profiling controversy at Studio One in Los Angeles in which claims were made "by black and Chicano men that they were frequently denied entrance." Lin's writing is mostly sharp, though there are some bumps, as with a staid academic reference to Foucault and wordplay that can land with more of a thud than a zing ("We head to a venue less sleazy, more cheesy," he writes about a bar-hopping night out). Nonetheless, this cogent cultural history sparks more often than not. Readers who want to go beyond Stonewall will find plenty to consider.
