Gerald's Game
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5.0 • 2件の評価
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- ¥1,300
発行者による作品情報
Master storyteller Stephen King presents this classic, terrifying #1 New York Times bestseller. When a game of seduction between a husband and wife ends in death, the nightmare has only begun…
*A Netflix film directed by Mike Flanagan (Oculus, Hush) and starring Carla Gugino and Bruce Greenwood*
“And now the voice which spoke belonged to no one but herself. Oh my God, it said. Oh my God, I am all alone out here. I am all alone.”
Once again, Jessie Burlingame has been talked into submitting to her husband Gerald’s kinky sex games—something that she’s frankly had enough of, and they never held much charm for her to begin with. So much for a “romantic getaway” at their secluded summer home. After Jessie is handcuffed to the bedposts—and Gerald crosses a line with his wife—the day ends with deadly consequences. Now Jessie is utterly trapped in an isolated lakeside house that has become her prison—and comes face-to-face with her deepest, darkest fears and memories. Her only company is that of the various voices filling her mind…as well as the shadows of nightfall that may conceal an imagined or very real threat right there with her…
PUBLISHERS WEEKLY
While this is one of the best-written stories King has ever published, it will offend many through sheer bad taste. Jessie and Gerald Burlingame have been married for 20 years. Kinky sex is Gerald's game; lately he has taken to handcuffing his wife to the bedposts. During one such session, via a series of bizarre circumstances, Jessie accidentally kills her husband, and for the next 28 hours she is trapped. King effectively uses this tragicomic conceit to take us deep into the mind of ``Goodwife Burlingame.''sic For the first third of the book he is at the top of his form, creating in Jessie one of his most intense character studies. Then, Jessie's ruminations lead her to remember a long-repressed episode of incest that is startling not because it becomes a central element of the plot, but because the details of the sexual relationship between father and daughter are salaciously--and lengthily--described. The gory stuff--how Jessie escapes her handcuffs, for example--is prime King, but this is subsumed in the book's general tastelessness. A lame wrap-up to what might have been a thrilling short story only further compromises the enjoyment readers might have found in this surprisingly exploitative work. 1.5 million first printing; $750,000 ad/promo; BOMC main selection.
