Girl, Woman, Other
WINNER OF THE BOOKER PRIZE 2019
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- ¥1,200
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- ¥1,200
発行者による作品情報
THE SUNDAY TIMES 1# BESTSELLER & BOOKER PRIZE WINNER
*One of Goodreads Most Popular Books of the Past Decade*
This is Britain as you've never read it.
This is Britain as it has never been told.
From Newcastle to Cornwall, from the birth of the twentieth century to the teens of the twenty-first, Girl, Woman, Other follows a cast of twelve characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope . . .
'The most absorbing book I read all year' Roxane Gay
'[Bernardine Evaristo] is one of the very best that we have' Nikesh Shukla
'Beautifully interwoven stories of identity, race, womanhood, and the realities of modern Britain. The characters are so vivid, the writing is beautiful and it brims with humanity' Nicola Sturgeon
'A choral love song to black womanhood in modern Great Britain' Elle
'Bernardine Evaristo can take any story from any time and turn it into something vibrating with life' Ali Smith
'Exceptional. You have to order it right now' Stylist
PUBLISHERS WEEKLY
Evaristo (Mr. Loverman) beguiles with her exceptional depictions of a range of experiences of black British women in this Man Booker shortlisted novel. Each interconnected chapter focuses on one of 12 women across decades within a few degrees of connection to middle-aged lesbian Amma. In the present, Amma remembers her years of precarious living and feminist agitation through theater while preparing for the opening night of her of her play about African Amazonian warriors at the National Theatre. Amma's firebrand daughter, Yazz, hopes for a boyfriend at university but instead forms a diverse friend group that challenges her ideas about race and privilege. Amma's best friend, Dominique, moves to America with an increasingly controlling girlfriend. Amma's oldest friend, Shirley, is a discouraged schoolteacher, still hurt that her former student Carole did not appreciate her help launching her toward her lucrative, if frustrating, bank career. Shirley's prickly colleague Penelope, a twice-divorced middle-class woman, hires Carole's mother, Bummi, a Nigerian immigrant, as a cleaner. Morgan, a non-binary social media personality, enjoys laboring on the family's north England farm, while their nonagenarian great-grandmother, Hattie, internally grumbles about her descendants' indifference and the shock of family secrets. Hattie's deceased mother, Grace, proudly Abyssinian, struggles with the death of her young children in a chapter set in the 1920s. The after-party following Amma's play sparks awkward and revealing encounters between many of the women. Evaristo's fresh, clipped style adds urgency riddled with sparks of humor. This is a stunning powerhouse of vibrant characters and heartbreaks.)
