Good Talk
A Memoir in Conversations
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- ¥1,200
発行者による作品情報
NATIONAL BESTSELLER • A “beautiful and eye-opening” (Jacqueline Woodson), “hilarious and heart-rending” (Celeste Ng) graphic memoir about American identity, interracial families, and the realities that divide us, from the acclaimed author of The Sleepwalker’s Guide to Dancing.
ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The New York Public Library, Publishers Weekly • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, BuzzFeed, Esquire, Literary Journal, Kirkus Reviews
“How brown is too brown?”
“Can Indians be racist?”
“What does real love between really different people look like?”
Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love.
Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions.
LONGLISTED FOR THE PEN/OPEN BOOK AWARD
“Jacob’s earnest recollections are often heartbreaking, but also infused with levity and humor. What stands out most is the fierce compassion with which she parses the complexities of family and love.”—Time
“Good Talk uses a masterful mix of pictures and words to speak on life’s most uncomfortable conversations.”—io9
“Mira Jacob just made me toss everything I thought was possible in a book-as-art-object into the garbage. Her new book changes everything.”—Kiese Laymon, New York Times bestselling author of Heavy
PUBLISHERS WEEKLY
Snippets of dialogue between Jacob (The Sleepwalker's Guide to Dancing) and her family and friends form the basis of this breezy but poignant graphic memoir that takes on racism, love, and the election of President Trump. The bisexual daughter of Indian immigrants, Jacob effectively conveys how the 2016 election impacted LGBTQ folks and people of color in ways that were searing, personal, and often misunderstood (such as that awkward moment when the older gentlemen at her mother-in-law's dog's "bark mitzvah" think she's the help). As her Trump-supporting Jewish in-laws insist they still love her, her six-year-old son wants to know not only if he can turn white like Michael Jackson (and "Did he lose his other glove?"), but how to tell which white people are afraid of brown people. Jacob pastes simple character drawings, cut like paper dolls staring directly at the reader, over grainy photos of New York City, her childhood home in New Mexico, and other locales, emphasizing the contingency of identity. The collage effect creates an odd, immediate intimacy. She employs pages of narrative prose sparingly but hauntingly, as when she learns that a haughty, wealthy woman once lost a child: "in that place where you thought you would find a certain kind of woman... is someone you cannot begin to imagine." The "talks" Jacob relates are painful, often hilarious, and sometimes absurd, but her memoir makes a fierce case for continuing to have them.
