Harlem Is Nowhere
A Journey to the Mecca of Black America
-
- ¥1,200
-
- ¥1,200
発行者による作品情報
A National Book Critics Circle Award Finalist and New York Times Notable Book of the Year, Harlem Is Nowhere brilliantly captures the essence of Harlem at a crucial moment in the neighborhood's history.
For a century Harlem has been celebrated as the capital of black America, a thriving center of cultural achievement and political action. As gentrification encroaches, Sharifa Rhodes-Pitts untangles the myth and meaning of Harlem's legacy. Examining the epic Harlem of official history and the personal Harlem that begins at her front door, Rhodes-Pitts introduces us to a wide variety of characters, past and present. At the heart of their stories, and her own, is the hope carried over many generations, hope that Harlem would be the ground from which blacks fully entered America's democracy.
Rhodes-Pitts is a brilliant new voice who, like other significant chroniclers of places -- Joan Didion on California, or Jamaica Kincaid on Antigua -- captures the very essence of her subject.
"No geographic or racial qualification guarantees a writer her subject . . . Only interest, knowledge, and love will do that -- all of which this book displays in abundance." -- Zadie Smith, Harper's
PUBLISHERS WEEKLY
Rhodes-Pitts, an essayist and recipient of the Rona Jaffe Foundation Writer's Award, takes as her title a 1948 essay wherein Ralph Ellison describes "nowhere" as the crossroads where personal reality meets the metaphorical meanings attached to people and places. A transplant to Harlem from Texas, Rhodes-Pitts began a personal journey into the iconic neighborhood, poring over Harlem in literature and life, reading its empty lots and street scenes, its billboards and memorials for clues to what it means to inhabit a dream (that fabled sanctuary for Black Americans) and a real place (the all too material neighborhood buckling beneath relentless gentrification). Acutely conscious of the writer's simultaneous role of participant in and recorder of present and past, Rhodes-Pitts weaves a glittering living tapestry of snatches of overheard conversation, sidewalk chalk scribbles, want ads, unspoken social codes, literary analysis, studies of black slang all if it held together with assurance and erudition. Like Zora Neale Hurston (whose contradictions she nails), she is "tour-guide and interpreter" of a Mecca cherished and feared, a place enduring and threatened that becomes home.
