Henry VIII
The King and His Court
-
- ¥1,800
-
- ¥1,800
発行者による作品情報
NEW YORK TIMES BESTSELLER • “Beautifully written, exhaustive in its research . . . a gem [that] outshines all previous studies of Henry.”—The Philadelphia Inquirer
For fans of Wolf Hall, an intimate biography of Henry VIII, one of English history’s most turbulent, complex rulers, and the glittering court he made his own, from “the finest historian of English monarchical succession writing” (The Boston Globe)
“[Weir] has perfected the art of bringing history to life.”—Chicago Tribune
Henry VIII, renowned for his command of power and celebrated for his intellect, presided over the most stylish—and dangerous—court in Renaissance Europe. Scheming advisers and courtiers vied for power with newly rich landowners and merchants, brilliant painters and architects introduced a new splendor into art and design, and each of Henry’s six queens brought her own influence to bear upon the life of the court.
In an age when a monarch’s domestic and political lives were inextricably intertwined, Henry VIII exercised enormous sway over the laws, the customs, and the culture of his kingdom. Yet as Alison Weir shows in this swift, vivid narrative, Henry’s ministers, nobles, and wives were formidable figures in their own right, whose influence both enhanced and undermined the authority of the throne. In Henry VIII, Weir records the many complex human dramas that swirled around Henry while deftly weaving in an account of the intimate rituals and desires of England’s ruling class—their sexual practices, feasts and sports, tastes in books and music, houses and gardens.
Packed with colorful description, meticulous in historical detail, rich in pageantry, intrigue, passion, and luxury, Weir brilliantly renders King Henry VIII, his court, and the fascinating men and women who fought for its pleasures and rewards.
PUBLISHERS WEEKLY
In a succession of books on medieval and early modern monarchs, Weir has established her credentials as one of the most evocative of popular historians. In Eleanor of Aquitaine (which will be reissued in paperback to tie in with this publication), she brushed aside a forest of scholarly debate in favor of fully rounded human portraits. She now turns to the colossal figure of Henry VIII, aspiring chivalric hero and accidental spearhead of the Reformation. In the age's luxurious ceremony, Weir is thoroughly in her element. She revels in the Field of Cloth of Gold, an elaborate showpiece where Henry met his French counterpart; in the zesty supporting cast; and even in the less appetizing duties of the Groom of the Stool. Henry's passions were many and charming: his beloved dogs Cut and Ball were evidently so prone to getting lost that he would pay some 225 to their finder. Weir's fondness for her character has its difficulties. While admitting that the king proved to be "an imperious and dangerous autocrat who became mesmerised by his own legend," she too is seduced by the myth. Given to romantic hyperbole, she concludes with the largely unsupported sentiment that Henry "excelled all who ever wore a crown"; chalk up another victory for his propagandists. Other problematic characters, like Thomas More ("calm, kind, witty and wise"), are also let off lightly. Still, Weir's nose for detail, her sharpness of eye and her sympathetic touch make this a feast for the senses.
