High Tide in Tucson
Essays from Now or Never
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- ¥1,500
発行者による作品情報
"Clever. . . magical. . . beautifully crafted. Kingsolver spins you around the philosophic world a dozen times." — Milwaukee Sentinel
"Kingsolver's essays should be savored like quiet afternoons with a friend." —New York Times Book Review
In this brilliant essay collection, Pulitzer Prize-winning author Barbara Kingsolver turns to her favored literary terrain to explore themes of family, community, and the natural world.
With the eyes of a scientist and the vision of a poet, Kingsolver writes about notions as diverse as modern motherhood, the history of private property, and the suspended citizenship of humans in the animal kingdom. Kingsolver's canny pursuit of meaning from an inscrutable world compels us to find instructions for life in surprising places: a museum of atomic bomb relics, a West African voodoo love charm, an iconographic family of paper dolls, the ethics of a wild pig who persistently invades a garden, a battle of wills with a two-year-old, or a troop of oysters who observe high tide in the middle of Illinois.
In sharing her thoughts about the urgent business of being alive, Kingsolver the essayist employs the same keen eyes, persuasive tongue, and understanding heart that characterize her acclaimed fiction. In High Tide in Tucson, Kingsolver is defiant, funny, and courageously honest.
PUBLISHERS WEEKLY
Novelist Kingsolver (Pigs in Heaven) is not one to let her miscellany stagnate; she has revised or expanded many of the 25 essays included here, most of which have previously been published, and yes, there are thematic links in her view of family, writing, politics and places. The strongest link is Kingsolver's wise and spirited voice, animated by poetic and precise language. A Kentucky transplant to Arizona, Kingsolver recounts the triumph and pathos of her return home as a novelist; she also delights in recollecting her role in the notorious Rock Bottom Remainders, the band of writers famous for their ABA performances. ``Raising children is a patient alchemy,'' she declares; indeed, her self-imposed exile during the Gulf War led her to Spain's Canary Islands and an atmosphere of much greater affection for kids. Reports from Benin and Hawaii, even her aquarium, show the author to be a curious and sensitive observer. Most telling perhaps are Kingsolver's reflections on her mission: because it aims to convey truths we know but can't feel, ``ood art is political, whether it means to be or not.'' Illustrations. Literary Guild alternate.
