Hit Parade
-
- ¥880
発行者による作品情報
Keller is friendly. Industrious. A bit lonely, sometimes. If it wasn't for the fact that he kills people for a living, he'd be just your average Joe. The inconvenient wife, the troublesome sports star, the greedy business partner, the vicious dog, he'll take care of them all, quietly and efficiently. If the price is right.
Like the rest of us, Keller's starting to worry about his retirement. After all, he's not getting any younger. (His victims, on the other hand, aren't getting any older.) So he contacts his "booking agent," Dot, up in White Plains, and tells her to keep the hits coming. He'll take any job, anywhere. His nest egg needs fattening up.
Of course, being less choosy means taking greater risks—and that could buy Keller some big trouble. Then again, in this game, there are plenty of opportunities for some inventive improvisation . . . and a determined self-motivator can make a killing.
PUBLISHERS WEEKLY
Block's assassin, John Keller (Hit Man; Hit List), returns in these loosely linked, well-crafted vignettes of the protagonist on assignment, blithely but expertly eliminating a grab bag of targets: a philandering pro baseball player, a jockey in a fixed horse race, two women who hire him to put down a neighbor's dog, a Cuban exile and more. Manhattan-based Keller works through his agent, Dot, who assigns murders from her home just north in White Plains.Keller, a loner by temperament and trade, has an easy camaraderie with Dot. The two entrepreneurial colleagues strike a casual tone in conversation but they're discussing death (sometimes in gory detail). With dry wit, Block tracks the pursuits of the morally ambiguous Keller, who hunts rare, pricey stamps for his extensive collection when he's not "taking care of business." Four-time Shamus- and Edgar-winner Block has the reader queasily rooting for the killer as well as the victims, unsettling the usual point of identification and assumptions about right and wrong.
