Home School
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- ¥1,600
発行者による作品情報
At the end of Charles Webb's first novel, The Graduate, Benjamin Braddock rescues his beloved Elaine from a marriage made not in heaven but in California.
It is now eleven years and 3,000 miles later, and the couple live in Westchester County, a suburb of New York City, with their two young sons, whom they are educating at home.
Through no accident, a continent now stands between them and the boys' surviving grandparent, now known as Nan, but who in former days answered to Mrs. Robinson. As the story opens, the Braddock household is in turmoil as the Westchester School Board attempts to quash the unconventional educational methods the family is practising.
Desperate situations call for desperate remedies - even a cry for help to the mother-in-law from hell. She is only too happy to provide her loving services - but at a price far higher than could be expected.
Charles Webb has a knack for pinpointing the horrors and absurdities of domestic life, and Home School displays all the precision and wit that made The Graduate such a long-lasting success..
PUBLISHERS WEEKLY
It's one of modern pop culture's great mysteries: What happened after The Graduate's Ben and Elaine busted out of Elaine's church wedding and fled the world of hypocritical convention personified by her mother, Mrs. Robinson? In this sequel to his seminal 1963 novel, Webb's droll answer is that, 11 years on, they've settled down to a quiet suburban life in New York's Westchester County. Their sole antiestablishment gesture is to home-school their sons, Matt and Jason, using progressive educational nostrums that lead to open-minded debates over Jason's desire to study the French Revolution by building a backyard guillotine. When a crisis arises that only her legendary wiles can resolve, Mrs. Robinson now primly called Nan re-ensconces herself in their lives and guest room. Horrified, Ben and Elaine figure that a dose of the counterculture will expel the dragon lady, so they invite into the house a family of hippie home-schoolers so organic that the mother still breast-feeds her seven-year-old daughter. Armed only with his stammering earnestness, Ben tries to protect his family from an improbable alliance between Nan and the let-it-all-hang-out '70s. ("That was exactly right, the best possible response," he reassures Jason after the lad gently declines a swig of breast milk.) Webb crafts both a wicked sendup of the post-Vietnam cultural revolution and an acute satire of the romantic associations surrounding his characters and the generation-defining film, slyly suggesting that Ben and Elaine are the squarest people of all.
