Horror Movie
A Novel
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- ¥2,600
発行者による作品情報
Instant New York Times bestseller!
A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World.
In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.
The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.
The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions—demons of the past be damned.
But at what cost?
Horror Movie is an obsessive, psychologically chilling, and suspenseful feat of storytelling genius that builds inexorably to an unforgettable, mind-bending conclusion
PUBLISHERS WEEKLY
Tremblay (The Beast You Are) raises the bar for the cursed film trope with a novel that cleverly breaks the fourth wall between imaginary horrors and their real-world repercussions. The unnamed narrator is the sole surviving crew member of the eponymous film, a low-budget monster movie whose production began in 1993 but was never completed for dramatic reasons revealed over the course of the narrative. Thirty years later, a bigger crew with a bigger budget hopes to reboot the film and capitalize on its reputation with horror fans as a legendary might-have-been masterpiece, most of whose creators died tragically young. They also want the narrator to reprise his role as "the Thin Kid," a masked victim who turns monstrous under the cruel torments of his teen classmates. Tremblay hopscotches back and forth between two converging plot threads, one set during the movie's original filming and the other in present-day Los Angeles, and splices in portions of the original screenplay, the better to highlight the narrator's increasingly unsettling identification with his creepy Thin Kid character. A shocking but perfectly planned twist at the story's climax makes this one of the most exciting outings in the recent crop of fiction about horror movies. Readers won't want to miss out.
