Hostage
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- ¥2,000
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- ¥2,000
発行者による作品情報
HOW DOES ONE SURVIVE WHEN ALL HOPE IS LOST?
In the middle of the night in 1997, Doctors Without Borders administrator Christophe André was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, André was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Close to twenty years later, award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) recounts André’s harrowing experience in Hostage, a book that attests to the power of one man’s determination in the face of a hopeless situation.
Marking a departure from the author’s celebrated first-person travelogues, Delisle tells the story through the perspective of the titular captive, who strives to keep his mind alert as desperation starts to set in. Working in a pared down style with muted colour washes, Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free. Thoughtful, intense, and moving, Hostage takes a profound look at what drives our will to survive in the darkest of moments.
PUBLISHERS WEEKLY
Delisle (Jerusalem) departs from his usual subjects and artistic style in this quietly powerful graphic "as told to" hostage story. Christophe Andr , a volunteer with M decins San Fronti res in Chechnya, was kidnapped on July 2, 1997, and held for 111 days. Handcuffed and isolated for almost all his captivity, he can only speculate on his fate and the possible progress of imagined negotiations. A change in his food, such as that brought by some stolen garlic, is a high point, as are the few occasions on which his captors share a drink or bring him out of his room to watch television. Despite the lack of action, Christophe is an admirable figure, facing boredom, fear, and a complete lack of information about his status for months while managing to keep his head and, eventually, rescue himself. Delisle perfectly captures his subject's inner monologue of pep talks and mental diversions, creating an indelible portrait of an ordinary person facing a frightening ordeal. (May)
