Hound Dog
The Leiber & Stoller Autobiography
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- ¥1,900
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- ¥1,900
発行者による作品情報
The hitmakers behind Elvis Presley’s “Hound Dog” and “Jailhouse Rock” recount their rise to songwriting stardom while authoring the classic American R&B sound of countless chart-topping singles.
In 1950 a couple of rhythm and blues–loving teenagers named Jerry Leiber and Mike Stoller met for the first time. They discovered their mutual affection for R&B and, as Jerry and Mike put it in this fascinating autobiography, began an argument that has been going on for over fifty years with no resolution in sight.
Leiber and Stoller were still in their teens when they started working with some of the pioneers of rock and roll, writing such hits as "Hound Dog," which eventually became a #1 record for Elvis Presley. Jerry and Mike became the King’s favorite songwriters, giving him "Jailhouse Rock" and other #1 songs. Their string of hits with the Coasters, including "Yakety Yak," "Poison Ivy," and "Charlie Brown," is a part of rock ’n’ roll history. They founded their own music label and introduced novel instrumentation into their hits for the Drifters and Ben E. King, including "On Broadway" and "Stand by Me." They worked with everyone from Phil Spector to Burt Bacharach and Peggy Lee. Their smash musical Smokey Joe’s Café became the longest-running musical revue in Broadway history.
Lively, colorful, and irreverent, Hound Dog describes how two youngsters with an insatiable love of good old American R&B created the soundtrack for a generation.
PUBLISHERS WEEKLY
The golden days of rock 'n' roll flit by in this sprightly memoir by the celebrated songwriting duo. A couple of Jewish kids with a passion for black music, Leiber and Stoller started out as teenagers writing blues ballads, penned such early, genre-defining rock classics as "Hound Dog" and "Stand by Me," then conceived a midlife obsession with aging chanteuse Peggy Lee, for whom they wrote and produced an album of ruminative torch songs. Along the way, they went through iconic music-biz rites of passage: hanging with Elvis; working at the Brill Building; getting into financial disputes with Phil Spector, Atlantic Records and the Mafia. As arranged by collaborator Ritz, the authors harmonize well in their alternating reminiscences; Stoller is the more reflective one, while the best anecdotes belong to the brash Leiber, who was challenged to a drag race by James Dean, choked by Norman Mailer and forced to trade his car for a pair of shoes. There's not a lot of deep insight into the creative process the authors seem to have written most of their songs on 15 minutes' notice just vignettes from pop music's giddy youth, short and sweet and catchy. Photos.
