How This Night Is Different
Stories
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- ¥1,600
発行者による作品情報
Elisa Albert's debut story collection marks the arrival of an extraordinary new voice in fiction. In How This Night Is Different, Albert boldly illuminates the struggles of young, disaffected Jews to find spiritual fulfillment. With wit and wisdom, she confronts themes -- self-deprecation, stressful family relationships, sex, mortality -- that have been hallmarks of her literary predecessors. But Albert brings a decidedly fresh, iconoclastic, twenty-first-century attitude to the table.
Holidays, gatherings, and rites of passage provide the backdrop for these ten provocative stories. The characters who populate How This Night Is Different are ambivalent, jaded, and in serious want of connection. As they go through the motions of familial duty and religious observance, they find themselves continually longing for more. In prose that is by turns hilarious and harrowing, Albert details the quest for acceptance, a happier view of the past, and above all the possibility of a future.
From the hormonally charged concentration camp teen tour in "The Living" to the sexually frustrated young mother who regresses to bat mitzvah-aged antics in "Everything But," and culminating with the powerful and uproariously apropos finale of "Etta or Bessie or Dora or Rose," How This Night Is Different is sure to titillate, charm, and profoundly resonate with anyone who's ever felt conflicted about his or her faith, culture, or place in the world.
PUBLISHERS WEEKLY
Titled to reflect the customary question asked at Passover, these 10 stories by debut writer Albert explore traditional Jewish rituals with youthful, irreverent exuberance as her characters transition into marriage and child-rearing. In "Everything But," dutiful daughter Erin finds herself, after her mother's death, disturbed by the lovelessness of her marriage. In "So Long," Rachel has become "born again" as an Orthodox Jew and resolved to have her head shaved before her marriage, as per custom; the narrator, Rachel's maid of honor, struggles to suppress her sarcastic disbelief. "The Mother Is Always Upset" plays on the familial chaos of ritual circumcision (the bris): tearful mother Beth cowers in the bedroom, while exhausted new father Mark takes his cue from the sanguine mohel. And Albert, writing as nice Jewish girl Elisa Albert, becomes a cocksure writer determined to have the last word in the hilariously vulgar postmodern final story, "Etta or Bessie or Dora or Rose" an unabashed autobiographical fan letter to Philip Roth, "the father of us all."
