I Heart Bloomberg
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- ¥950
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- ¥950
Publisher Description
Kendall's managed to wrangle her grandmother's house--free and clear--except for the rules. No male roommates. But that's okay. With the right ad she'll pull in some girls who will pay rent. If she's lucky, Kendall won't have to go to work any time soon.
Anna, Lelani, and Megan all have their reasons for wanting to move in. Anna has got to get out from under her overprotective parents. Lelani can't take another day in her aunt's tiny crackerbox house overflowing with toddlers. And Megan needs a place free of her current roommate from Hades.
Though they come with assorted extra baggage filled with broken hearts and dreams, they'll discover they also have a vast array of hidden strengths.
As they struggle to become the women they want to be, they'll find new hope . . . and maybe even Kendall will learn a thing or two about life, love, and the true meaning of friendship.
PUBLISHERS WEEKLY
Carlson, author of more than 100 books, begins her 86 Bloomberg Place series with a novel that functions mostly to set up future storylines. Three women rent rooms at 86 Bloomberg Place: Lelani Porter is a lovely half-Hawaiian with a secret; Megan Abernathy is a Christian flirting with depression; and Hispanic Anna Mendez is anxious to escape a smothering mother. The advertised "luxurious" house, owned by Barbie doll clone Kendall Weis, is disappointingly in need of updating, and in exchange for a rent reduction, they redecorate and renovate the run-down home. Kendall turns out to be the landlord from hell, with entitlement issues, an eating disorder, a shopping addiction and a slew of (too many) other problems. It's more than the trio bargained for, but nobly they try to be kind to Kendall. The Christian element is present in the story, but lightly handled. A subplot of young women gone missing seems at odds with the beauty makeovers and HGTV-type activities. Although Carlson is careful to explain the reasons behind Lelani's absence from her home in the islands, readers may find her seemingly unemotional abdication of responsibility difficult to swallow, while Kendall's character is one-dimensional. The novel ends abruptly without resolving enough loose ends-likely picked up in book two-but leaving readers dissatisfied rather than intrigued.
