In Concrete
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- ¥1,200
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- ¥1,200
発行者による作品情報
Garréta’s first novel in a decade follows the mania that descends upon a family when the father finds himself in possession of a concrete mixer. As he seeks to modernize every aspect of their lives, disaster strikes when the younger sister is subsumed by concrete.
Through puns, wordplay, and dizzying verbal effect, Garréta reinvents the novel form and blurs the line between spoken and written language in an attempt to confront the elasticity of communication.
PUBLISHERS WEEKLY
Oulipo member Garréta's wonderfully strange latest (after Not One Day) chronicles the misfortunes that befall a family after the father receives a concrete mixer for his birthday. He wants to "muddernize" (modernize) their recently inherited rustic house, but he doesn't know what he's doing and a series of mishaps ensue: he's temporarily blinded by a shovel full of dust and mice droppings, and various family members are zapped by the house's faulty wiring. While pouring a concrete floor, they run into the "most serious mishap ever had": the narrator's younger sister, Poulette, ends up slathered in wet concrete. They then lose power to the water pump and can't clean her off, and the mix solidifies on her. At this point the narrative morphs into poetry, song, and bursts of wordplay. Hence becomes "hens" and exhume "eggzoom" as the siblings contend with Poulette's new form. They find new games to play and weaponize their wordplay against a group of local bullies. A few other things happen, but as with most work by Oulipo writers, what's important is what Garréta does with language, and Ramadan, winner of the PEN Translation Prize, makes each of the pages sing. Fans of experimental fiction will find this delightful.
