Interventions 2020
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- ¥2,600
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- ¥2,600
発行者による作品情報
The death of God in the West was the prelude to a metaphysical soap opera that continues to this day. Christianity’s masterstroke was to combine a fierce belief in the individual with the promise of eternal participation in the Absolute. When that dream evaporated, various attempts were made to offer the individual a minimum of being. The latest of these attempts is advertising, which seeks to arouse desire and transform the subject into a docile phantom, doomed to follow advertising’s every whim. But, like all previous attempts, this superficial participation in the world fails, and unhappiness and depression continue to spread.
We can all produce a cold revolution in ourselves, however, by stepping outside the flow of information and advertising. We need to take some time out, unplug the television, turn off our smartphones, stop buying stuff and adopt an aesthetic attitude to the world. We just need to stay still for a few seconds.
This is one of the key themes developed by Michel Houellebecq in this collection of his texts and interviews from the last three decades. Here he explains and elaborates his point of view, discusses his novels and addresses a wide range of topics from politics, religion and literature to suicide, euthanasia and paedophilia. An indispensable book for anyone interested in the work of one of the most widely read and controversial novelists of our time.
PUBLISHERS WEEKLY
France's notorious novelist of caustic alienation hurls more firebombs in this provocative collection. Houellebecq (Submission) gathers over two decades of essays, reviews, criticism, and interviews that coldly diagnose the sicknesses of contemporary life; his great theme is the depersonalization of society that turns modern architecture into a soulless showcase for advertising, causes "a real loathing for the flesh in our societies," and drives the creeping dissolution of all human connection, now further advanced by the Covid lockdowns. While scabrously critical of capitalism, Houellebecq also takes aim at woke verities, leveling sharp imprecations at Islam of the sort that got him tried for hate speech; labeling feminists "amiable dimwits... made dangerous by their disarming lack of lucidity," and calling Donald Trump "a good president" because of his isolationism and protectionism (while also judging him a "disgusting" man). Houellebecq's writing is deeply philosophical, but it's also incisive, pugnacious (poet Jacques Prévert "has something to say... unfortunately, what he has to say is boundlessly stupid"), and suffused with bleak intellectualism: "The purpose of the party is to make us forget that we are lonely, miserable and doomed to death; in other words, to transform us into animals." The result is a thicket of barbed, nihilistic yet earnestly serious pensées that are as often infuriating as stimulating.
