Jane Eyre
AN AUTOBIOGRAPHY
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- ¥100
発行者による作品情報
I avail myself of the opportunity which a third edition of “Jane Eyre” affords me, of again addressing a word to the Public, to explain that my claim to the title of novelist rests on this one work alone. If, therefore, the authorship of other works of fiction has been attributed to me, an honour is awarded where it is not merited; and consequently, denied where it is justly due.
This explanation will serve to rectify mistakes which may already have been made, and to prevent future errors.
CURRER BELL.
April 13th, 1848.
PUBLISHERS WEEKLY
Whether one treasures this classic piece of literature as an old companion or has no acquaintance with it at all, the listener is in for a treat. Reader Bentinck draws us at once into the trials assailing the orphaned and ill-treated 10-year-old Jane. Bentinck's soft voice, flawless rhythms, and cultured British accent are exactly what's needed to guide listeners through this heroine's wild history of tribulations and jubilations. She portrays men, women, and children of different classes quite convincingly, and illuminates a wide range of nuanced emotions as Jane encounters hunger and cruelty as well as tender friendships at school, then a world of anger, fear, defeat, humor, sarcasm, affection, and exaltation as teacher and governess. The remarkable plot, the carefully delineated characters, and Bentinck's acting facility make the journey an intriguing and memorable experience.
