January Fifteenth
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- ¥1,400
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- ¥1,400
発行者による作品情報
“One of the best speculative writers of the last decade.”—John Scalzi
A Philip K. Dick Award nominee!
January Fifteenth—the day all Americans receive their annual Universal Basic Income payment.
For Hannah, a middle-aged mother, today is the anniversary of the day she took her two children and fled her abusive ex-wife.
For Janelle, a young, broke journalist, today is another mind-numbing day interviewing passersby about the very policy she once opposed.
For Olivia, a wealthy college freshman, today is “Waste Day”, when rich kids across the country compete to see who can most obscenely squander the government’s money.
For Sarah, a pregnant teen, today is the day she’ll journey alongside her sister-wives to pick up the payments that undergird their community—and perhaps embark on a new journey altogether.
In this near-future science fiction novella by Nebula Award-winning author Rachel Swirsky, the fifteenth of January is another day of the status quo, and another chance at making lasting change.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
Nebula Award winner Swirsky (Throughout the Drowsy Dark) half-steps out of her usual short story milieu with a thoughtful novel comprising four interwoven stories framed by the near-future implementation of Universal Basic Income, or UBI. Hannah, a single mom fleeing her abusive ex-wife; Janelle, a journalist raising her trans teenage sister; Olivia, a wealthy, drugged-out college kid; and Sarah, a pregnant teen trapped in a polygamous cult, all experience the annual payout day as a defining event, though "defining" does not in every case imply change. Hannah, for example, ends up very nearly where she began, albeit with greater clarity about her choices. Sarah travels the greatest distance both physically and mentally as she moves from inarticulate rage around the cult's inequalities to the point of a life-changing decision. Swirsky loads up on hot-button issues, particularly in the case of the overburdened Janelle. While each of the other, impliedly white, women deals with a single situation that has some political valence but is experienced as personal, Janelle, who is Black, juggles multiple conflicts, all especially fraught. As an organizing principle, UBI works well, especially when Swirsky goes light on ideological explication and focuses on her characters responding to the changes it brings. Fans of plausible political speculative fiction should check this out.
