Judgment
A Novel
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- ¥2,600
発行者による作品情報
Never before available in English, Judgment is a work of startling power by David Bergelson, the most celebrated Yiddish prose writer of his era.
Originally published in 1929 and set in 1920 during the Russian civil war, Judgment traces the death of the shtetl and the birth of the “new, harsher world” created by the 1917 revolution. Jews and non-Jews smuggle people, goods, and anti-Bolshevik literature back and forth across the new political border. Filipov acts as the arbiter of “judgment” to prisoners in a Bolshevik outpost, who include Spivak, a counterrevolutionary; Lemberger, a pious and wealthy Jew; a seductive woman referred to as “the blonde”; and a memorable cast of smugglers and criminals.
Ordinary people, depicted in a grotesque and modernist style—comparable to Isaac Babel’s Red Cavalry—confront the overwhelming forces of history, whose ultimate outcome remains unknown.
PUBLISHERS WEEKLY
Originally published in Yiddish in 1929 and here translated into English for the first time, Bergelson's haunting tale plunges readers into an unsettling world of shifting allegiances and whispered rumors that transform ordinary men into towering figures and thoughts into waking nightmares. In a snow-covered shtetl near the Ukrainian-Polish border, tensions run high between Bolshevik forces and Socialist Revolutionary agents covertly opposing the rise of the Russian Revolution's Red Army. Trapped in an unforgiving landscape with their fate tied to a conflict many did not willingly join, the villagers attempt to eke out a living by turning their homes into inns and their wagons into coaches for the continual flood of strangers attempting to "escape misfortune" by crossing the border. Meanwhile, those on either side of the revolution begin to question the strength of their loyalties. Fear is a way of life, as inescapable as the cold creeping through doorways and sinking into their bones. Being seen with the wrong person or reported by a captured neighbor or lodger could lead to imprisonment or execution, yet poverty is an equally pressing concern. Bergelson (The End of Everything) writes in jaggedly structured prose that, while intentionally disorienting, often shines with wry humor and poignant beauty.
