Kim
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- ¥750
発行者による作品情報
HE sat, in defiance of municipal orders, astride the gun Zam-Zammah on her brick platform opposite the old Ajaib-Gher—the Wonder House, as the natives call the Lahore Museum. Who hold Zam-Zammah, that 'fire-breathing dragon,' hold the Punjab, for the great green-bronze piece is always first of the conqueror's loot.
There was some justification for Kim,—he had kicked Lala Dinanath's boy off the trunnions,—since the English held the Punjab and Kim was English. Though he was burned black as any native; though he spoke the vernacular by preference, and his mother-tongue in a clipped uncertain sing-song; though he consorted on terms of perfect equality with the small boys of the bazar; Kim was white—a poor white of the very poorest. The half-caste woman who looked after him (she smoked opium, and pretended to keep a second-hand furniture shop by the square where the cheap cabs wait) told the missionaries that she was Kim's mother's sister; but his mother had been nursemaid in a colonel's family and had married Kimball O'Hara, a young colour-sergeant of the Mavericks, an Irish regiment. He afterwards took a post on the Sind, Punjab, and Delhi railway, and his regiment went home without him. The wife died of cholera in Ferozepore, and O'Hara fell to drink and loafing up and down the line with the keen-eyed three-year-old baby. Societies and chaplains, anxious for the child, tried to catch him, but O'Hara drifted away, till he came across the woman who took opium and learned the taste from her, and died as poor whites die in India. His estate at death consisted of three papers—one he called his 'ne varietur' because those words were written below his signature thereon, and another his 'clearance-certificate.' The third was Kim's birth-certificate. Those things, he was used to say, in his glorious opium-hours, would yet make little Kimball a man. On no account was Kim to part with them, for they belonged to a great piece of magic—such magic as men practised over yonder behind the Museum, in the big blue and white Jadoo-Gher—the Magic House, as we name the Masonic Lodge. It would, he said, all come right some day, and Kim's horn would be exalted between pillars—monstrous pillars—of beauty and strength. The Colonel himself, riding on a horse, at the head of the finest regiment in the world, would attend to Kim,—little Kim that should have been better off than his father. Nine hundred first-class devils, whose god was a Red Bull on a green field, would attend to Kim, if they had not forgotten O'Hara—poor O'Hara that was gang-foreman on the Ferozepore line. Then he would weep bitterly in the broken rush chair on the veranda. So it came about after his death that the woman sewed parchment, paper, and birth-certificate into a leather amulet-case which she strung round Kim's neck.
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Kipling's inspirational poem the one that begins, "If you can keep your head when all about you/ Are losing theirs" describes how to preserve one's honor by the principled avoidance of political and moral pitfalls. Italian artist Manna imagines the "you" of the poem as a boy journeying through a series of watercolor landscapes: fields under billowing clouds, misty nights, craggy mountaintops. To accompany the poem's first line, Manna paints the boy watching from a great green meadow as storm clouds approach; he stands and watches with a cool head, rather than running in fear. For "If you can force your heart and nerve and sinew/ To serve your turn long after they are gone," Manna shows the boy climbing a rocky pitch, the peaks of other mountains poking through the clouds below. Flying kites represent temptation, and dull-eyed marionettes represent allies who can't be trusted ("If you can bear to hear the truth you've spoken/ Twisted by knaves to make a trap for fools"). Though young readers may not fathom the poem's complexities, the grandeur of Manna's scenes conveys the loftiness of Kipling's sentiments. Ages 6 8.