Lawnboy
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- ¥1,200
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- ¥1,200
発行者による作品情報
"Lawnboy is, quite simply, the real thing, a novel of mystery and great beauty." -Michael Cunningham
They all thought I was good-natured, upright and responsible, generous, affectionate, and kind, and of course I could be those things, but there was much more to me than that, a side that unnerved even myself, and this side included William.
Seventeen-year-old Evan's adventure begins with mowing a neighbor's lawn, a summer job that leads him into an unpredictable world of desire and betrayal. Estranged from his parents and his older brother, he moves in with forty-one-year-old William and begins a disastrous series of attempts to make a new home. Must he make a choice between his family and desire? First published to wide acclaim in 1999, Lawnboy by Paul Lisicky wanders the lush and tumultuous landscape of the early 1990s, its south Florida setting as fertile and troubling as Evan's inner life.
PUBLISHERS WEEKLY
Lisicky's long, attentive, gay coming-of-age novel largely sticks to familiar paths. Seventeen-year-old narrator Evan mows the lawn of his older Miami neighbor, William; one day they begin a secret affair. At first, denying his nature, Evan tries to date his best friend, Jane; soon, though, he runs away from his cold and critical parents to live at William's house. When their affair ends, Evan heads to Fort Lauderdale, where his estranged older brother Peter operates a seedy motel. There Evan meets Hector, Peter's assistant and sometime lover. (We later learn that Peter is bisexual, and may have fathered a child.) The worldly Hector teaches Evan what he knows about life and about being gay. When Hector moves on, Evan travels back to Miami, where he finds work in a plant nursery, and, sadder but wiser, awaits the future. The prose in Lisicky's debut ranges from competent to impressive. In one excellent scene, Hector wants to dress Evan in drag: "And then he strayed from the outlines of my mouth, applying bars of lipstick across my jaw, my cheeks, my forehead, my hair." Lisicky takes care to lay out his constantly worried protagonist's inner life; consistent symbolism likens Evan to plants waiting to put down roots. The plot, however, proceeds slowly and predictably, with some sex but not much sexiness. At one time, any honest coming-out novel could surprise, enlighten and excite: now the coming-out story is an established and honored literary genre. Apart from some Floridian locales, Lisicky's debut adds little to the form.
