Leeches
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- ¥1,600
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- ¥1,600
発行者による作品情報
A "sardonic and brutal" journey into Serbia's underground secret societies and conspiracy theories (TheIndependent).
The place is Serbia, the time is the late 1990s. Our protagonist, a single man, writes a regular op-ed column for a Belgrade newspaper and spends the rest of his time with his best friend, smoking pot and talking about sex, politics, and life in general. One day, on the shore of the Danube, he spots a man slapping a beautiful woman. Intrigued, he follows the woman into the tangled streets of the city until he loses sight of her.
A few days later, he receives a mysterious manuscript whose contents seem to mutate each time he opens it. To decipher the manuscript—a collection of fragments on the Kabbalah and the history of the Jews of Zemun and Belgrade—he contacts an old schoolmate, now an eccentric mathematician, and a group of men from the Jewish community.
As the narrator delves deeper into arcane topics, he begins to see signs of anti-Semitism, past and present, throughout the city, and he feels impelled to denounce it. But his increasingly passionate columns erupt in a scandal culminating in murder. Following in the footsteps of Foucault's Pendulum, Leeches is a cerebral adventure and a journey into the underground worlds of secret societies and conspiracy theories.
PUBLISHERS WEEKLY
A marijuana-loving Serbian journalist is drawn into a mystic morass after witnessing a woman getting slapped in this cerebral adventure from Albahari (Snow Man). After the unnamed journalist narrator witnesses the slap on the banks of the Danube, he tries to follow the woman (and fails) and is beset by bizarre happenings as he tries to divine the woman's identity and unravel the confrontation, which comes to take on cosmic importance. Soon, his apartment is vandalized, marking the first of several anti-Semitic threats he receives as his labyrinthine journey takes him through the cafes, graveyards, and synagogues of Belgrade, aided by his friend and fellow drug aficionado Marko, the mathematician Dragan Misovic, and a group of rabbis. The serpentine plot densely packed, heavy on theology and its exploration of Jewish-Serbian identity is sure-footed, though it is sometimes overwhelmed by its devices, such as equations, sacred shapes, and Kabbalistic rituals. Still, Albahari finds space and time for comic relief, and his characters remain consistently intriguing as they move through a mysterious Belgrade that can't shake its history.
