Let the Dead Lie
An Emmanuel Cooper Mystery
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- ¥1,800
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- ¥1,800
発行者による作品情報
The second in a crime series set in 1950's South Africa when apartheid laws were first introduced, Detective Emmanuel Cooper now returns to face murder, passion, and corrupt South African politics.
Emmanuel Cooper’s life has an “ex” through it: ex-soldier, ex-detective sergeant, and ex-white man. He now works undercover surveillance on the seedy Durban docks to make a living, documenting police corruption for his old boss. All of that changes when he discovers the body of a brutally murdered young errand boy, forcing Emmanuel out of the shadows. He decides that he has no choice but to elude the police in order to conduct his own unofficial investigation.
But after two more identical murders, Emmanuel becomes the police department’s prime suspect. Finding the serial killer is even more urgent than before. He dives into the Durban underworld for answers and finds the murders are part of something bigger than he could have imagined, and is soon deep into the politics within South Africa. Under the pressure of new racial segregation laws Emmanuel must find the killer before the Durban police pin the crimes on him.
Full of suspense and an unraveling mystery, Nunn offers a glimpse into South African politics during the 1950s and living under the racial segregation laws enforced by the National Party.
PUBLISHERS WEEKLY
With this gripping sequel set in South Africa in 1953, Nunn, who is also a screenwriter, proves that her impressive debut novel, A Beautiful Place to Die, was no fluke. A former police detective sergeant, Emmanuel Cooper is now working undercover on the docks of Durban Harbor to document police corruption for his old boss, Major van Niekerk. When Emmanuel comes across the body of a white slum kid, who ran errands in the port area, with his throat slit, he observes that the notebook the 11-year-old boy used to record orders is missing. The authorities regard Emmanuel as the prime suspect in this crime as well as in the subsequent murders of a landlady and her black maid, whose throats are also cut. Van Niekerk manages to get Emmanuel out of jail, but with a strict two-day deadline to find the real killer. Nunn deftly balances suspense and deduction as she offers a revealing glimpse into South African society under the segregation laws promulgated by the ruling National Party.
