Let's Hope for the Best
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- ¥2,000
発行者による作品情報
"In Let's Hope for the Best, the protagonist becomes a widow in a moment, a moment that I cannot get out of my head. I feel tremulous admiration for how a work of beauty can exist within a well of violent pain. We should read to explore the width of our humanity. And ultimately, how to expand it."--Lisa Taddeo, bestselling author of Three WomenIn her debut novel, Let's Hope for the Best, Carolina Setterwall recounts the intensity of falling in love with her partner Aksel, and the shock of finding him dead in bed one morning. Carolina and Aksel meet at a party, and their passionate first encounter leads to months of courtship during which Carolina struggles to find her place. While Aksel prefers to take things slow, Carolina is eager to advance their relationship -moving in together, getting a cat, and finally having a child.
Perhaps to impose some order on the chaos, Carolina devotedly chronicles the months after Aksel's passing like a ship's log. She unpacks with forensic intensity the small details of life before tragedy, eager to find some explanation for the bad hand she's been dealt. When new romance rushes in, Carolina finds herself assuming the reticent role Aksel once played. She's been given the gift of love again. But can she make it work?
A striking feat of auto-fiction, written in direct address to Setterwall's late partner, LET'S HOPE FOR THE BEST is a stylistic tour-de force. "A moving and tender work of autofiction that depicts the obsessive interiority of grief."--Kirkus
PUBLISHERS WEEKLY
Setterwell's austere, quietly disturbing debut traces the years from 2009 to 2016 in the life of a narrator who shares the Swedish author's name. The novel's journal-like entries are directed to the narrator's partner, Aksel, who died suddenly in his early 30s of cardiac arrest while Carolina was sleeping on the floor of their infant son's room in their Stockholm apartment. The story at first follows two timelines, with one set of journal entries beginning just before Aksel's death and moving into the weeks that follow, and another beginning the day that Carolina and Aksel met and moving forward to eventually catch up with the first timeline. The second half of the novel follows Carolina for two more years as she struggles with grief and meets a potential new partner. The plot is driven not so much by suspense, of which there is little, as it is by an unwavering gaze at the minutiae of the narrator's often grim life. While her relationship with Aksel had a few moments of joy, it was in trouble before his death, and Carolina documents her sessions with a therapist as she attempts to make peace with her conflicts about staying at home with a demanding infant. While it's easy to admire Carolina's scrupulous self-analysis, her consistently melancholy disposition, however well justified, becomes a slog for the reader, and it's hard not to long for a few moments of humor or lightness. Nevertheless, this is a starkly unsentimental depiction of the difficulties of life after the death of a partner.
