Like Light for Flies
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5.0 • 1件の評価
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- ¥550
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- ¥550
発行者による作品情報
A young boy is horrified to discover what his brother is really doing in their father’s work shed. An old man whispers a word that sets his victim on the road to madness. A Victorian dandy and his dog might just save the world from the unspeakable denizens of an alternate dimension. In a house by a park, a religious zealot opens the gates of Hell. These twelve tales of psychological suspense and horror mix heart, brains, and balls to create a pulse-pounding literary experience. A finalist for the Lambda Literary Award for Best LGBT Speculative Fiction!.
"In this gripping horror collection, Thomas...slices open the underbelly of human nature with surgical precision to offer an unforgettable glimpse at the horrors just inside." - Publishers Weekly, starred review
"Thomas constructs his worlds brick by bloody brick mortared together with enough normalcy to make his twists and turns seem that much odder. Like Light for Flies is a collection of nightmares real enough to be dreamt tonight. Damn fine reading from a most excellent writer." - Out in Print
PUBLISHERS WEEKLY
In this gripping horror collection, Thomas (Ash Street) slices open the underbelly of human nature with surgical precision to offer an unforgettable glimpse at the horrors just inside. Though sometimes the protagonists' homosexuality is almost incidental, many of the stories are driven by the unhappy places in gay culture and the terrible effects of bigotry. In "The Butcher's Block," the focus on youth and anonymity in cruising culture lets a ritual of devouring the elderly thrive. "Inside Where It's Warm," is an appeal for belonging rather than fighting, even if the in-group is a zombie horde. In "Fine in the Fire," there's nothing supernatural at all, just a man driven insane by a contraption his father builds to cure him of his gayness. Thomas's monsters aren't unfathomable creatures from the great beyond; they're people in power, driven by hate and desperation, given just enough supernatural resources so that they can win. He drops the reader into an uncanny place where the everyday, self-destructive psychology of the lost and miserable is bolstered by inhuman powers, and the terror comes as much from within as without.
